Suchergebnisse

The poetics of the debut stories of Gazdanov is very different from the poetics of the stories of subsequent periods of his work. These differences are especially evident in composition, plot, style and bear the imprint of innovation for literature of the first half of the XX century. An analysis of the debut stories of Gazdanov allowed us to note that they are already visible elements of the aesthetics of modernism (later, postmodernism): the rejection of the traditional composition, intrigue, plot; parody, game, self-irony, etc.

Статья посвящена изучению особенностей романа Гайто Газданова «Переворот». Впервые предпринята попытка литературоведческого анализа этого незаконченного романа, опубликованного после смерти писателя. Авторы анализируют причины трансформации романной прозы писателя, так как поэтика романа отличается от произведений, созданных им ранее. Предметом исследования являются стилистические особенности этого произведения. Авторы статьи дают обоснование появлению такого нового жанра в прозе Газданова и уделяют особое внимание сопоставлению проблематики романа и политической ситуации во Франции, а также анализируют влияние публицистической деятельности писателя, которая наложила отпечаток на стиль романа. Писатель раскрывает глубинный драматизм эпохи через ощущения главных героев и показывает сложную картину социальных отношений и политических противоборств. ; The article is devoted to the study of the features of Gaito Gazdanov's novel "The Coup". For the first time, an attempt was made to analyze this unfinished novel published after the death of the writer. The authors made analyze the reasons for the transformation of the novelist's prose, since the poetics of the novel differs from the works he created earlier. The subject of research is the stylistic features of this work. The authors of the article substantiate the emergence of such a new genre in Gazdanov's prose and pay special attention to comparing the problems of the novel and the political situation in France, and also analyze the influence of the writer's journalistic activities, which left an imprint on the style of the novel. The writer reveals the deep drama of the era through the feelings of the main characters and shows a complex picture of social relations and political confrontations.

The article is devoted to the study of the system of characters, which includes both central and secondary characters in the stories and novels of Gaito Gazdanov, heroes - creators, heroes - writers and their antipodes. The main character is seen as the semantic center of the work, regardless of whether he is the main subject of the narrative or not. In the article, the heroes of novels and stories are systematized according to the selected criteria into separate groups. The dualism of human nature in Gaito Gazdanov's prose is realized with the help of a number of figurative antitheses, one of which is the opposition of creator heroes and destroyer heroes.

The article considers the problems of changes in the social structure of society as a result of the development of the Russian Federation according to the Western capitalist models. It is noted that market capitalism has brought to the Russian soil, along with some modernization processes and phenomena old archaic social practices, which were expressed in feudalization and class transformation of the Russian society. The formation of the archaic petty bourgeoisie as a form of middle class existence within some modern Russian estates, such as the shadow selfemployed workers estate, teachers estate, scientific and teaching estate, medical doctors and information (bloggers, ticktockers) is considered. It is shown that this social group, despite some differences, forms a common class and professional identity, a special specific lifestyle, style of consumption, a special bourgeois understanding of social prestige, a special class culture. The conclusion is formulated that modern Russian petty bourgeoisie as a specific type of urban dweller, as a form of middle class existence of some estates is a stabilizing stratum, strengthening the stability of Russian society, on the one hand, and a source of archaic socio-economic practices, on the other.