Formations of Masculinity in Post-Communist Hungarian Cinema: Labyrinthian Men
Preface -- Contents -- List of Figures -- Introduction -- Chapter 1 The Labyrinth Principle: Figures of Entrapment in Hungarian Art House Cinema -- Local Spaces, Local Masculinities? -- The Labyrinth Motif -- The Labyrinth Principle and the Round-up -- The Labyrinth Principle and Post-1989 Hungarian Cinema -- References -- Chapter 2 Historical Ruptures and Ironic Masculinities (Moscow Square. Ferenc Török, 2001) -- Identity and Historical Transition -- Contingency, Irony and a Moment of Solidarity -- Masculinity and Social Space -- Nostalgia -- References -- Chapter 3 Men on the Margins of History (Hukkle. György Pálfi, 2002) -- Supplements to an Impossible History -- Eastern European Cinema and Counter-Memory -- Men on the Backside of History -- Lost in a Maze of Multisensory Impressions -- References -- Chapter 4 Inhabiting the Post-Communist (Kontroll. Nimród Antal, 2003) -- The World Underground -- Inhabitation -- Masculinity de-Idealised -- Tactics of Resistance -- References -- Chapter 5 Masculinity Outside Victory Narratives (White Palms. Szabolcs Hajdu, 2006) -- Sports in Hungarian identity politics -- Narratives of loss -- Unreconciled pasts -- References -- Chapter 6 Fathers and Their Monsters (Tender Son: The Frankenstein Project. Kornél Mundruczó, 2010) -- Fathers and Sons -- The Orphans of Post-Communism -- Through the Eyes of the Minotaur -- References -- Chapter 7 Little Black Boys (Just the Wind. Benedek Fliegauf, 2012) -- The Politics of Roma Representations -- Roma-Representation in Just the Wind -- Roma Men in Post-Communist Hungarian Auteur Cinema -- References -- Conclusion -- References -- Index