The queering of Latin American literary studies
In: Latin American research review: LARR ; the journal of the Latin American Studies Association (LASA), Band 36, Heft 2, S. 209-219
ISSN: 0023-8791
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In: Latin American research review: LARR ; the journal of the Latin American Studies Association (LASA), Band 36, Heft 2, S. 209-219
ISSN: 0023-8791
In: Latin American research review: LARR, Band 36, Heft 2, S. 209-219
ISSN: 1542-4278
In: Signs: journal of women in culture and society, Band 22, Heft 3, S. 749-752
ISSN: 1545-6943
In: Feminist studies: FS, Band 20, Heft 1, S. 7
ISSN: 2153-3873
In: Signs: journal of women in culture and society, Band 19, Heft 1, S. 213-227
ISSN: 1545-6943
The Other/Argentina looks at literature, film, and the visual arts to examine the threads of Jewishness that create patterns of meaning within the fabric of Argentine self-representation. A multiethnic yet deeply Roman Catholic country, Argentina has worked mightily to fashion itself as a modern nation. In so doing, it has grappled with the paradox of Jewishness, emblematic both of modernity and of the lingering traces of the premodern. By the same token, Jewishness is woven into, but also other to, Argentineity. Consequently, books, movies, and art that reflect on Jewishness play a significant role in shaping Argentina's cultural landscape. In the process they necessarily inscribe, and sometimes confound, norms of gender and sexuality. Just as Jewishness seeps into Argentina, Argentina's history, politics, and culture mark Jewishness and alter its meaning. The feminized body of the Jewish male, for example, is deeply rooted in Western tradition; but the stigmatized body of the Jewish prostitute and the lacerated body of the Jewish torture victim acquire particular significance in Argentina. Furthermore, Argentina's iconic Jewish figures include not only the peddler and the scholar, but also the Jewish gaucho and the urban mobster, troubling conventional readings of Jewish masculinity. As it searches for threads of Jewishness, richly imbued with the complexities of gender and sexuality, The Other/Argentina explores the patterns those threads weave, however overtly or subtly, into the fabric of Argentine national meaning, especially at such critical moments in Argentine history as the period of massive state-sponsored immigration, the rise of labor and anarchist movements, the Perón era, and the 1976–83 dictatorship. In arguing that Jewishness is an essential element of Argentina's self-fashioning as a modern nation, the book shifts the focus in Latin American Jewish studies from Jewish identity to the meaning of Jewishness for the nation. Print versions available for purchase at https://sunypress.edu/Books/T/The-Other-Argentina ; Open Access version supported by the National Endowment for the Humanities' Fellowships Open Book Program. ; VoR ; SUNY Press ; N/A
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Frontmatter -- Contents -- Acknowledgments -- Introduction City/Art: Setting the Scene -- Part 1 Urban Designs -- What is a City? -- Buenos Aires is (Latin) America, Too -- The Spirit of Brasília: Modernity as Experiment and Risk -- Part 2 Street Signs -- City, Art, Politics -- The Writing on the Wall: Urban Cultural Studies and the Power of Aesthetics -- Miami Remake -- The Jew in the City: Buenos Aires in Jewish Fiction -- Part 3 Traffic -- On Maps and Malls -- Culture-Based Urban Development in Rio de Janeiro -- Latin American Megacities: The New Urban Formlessness -- Bibliography -- Contributors -- Index