Suchergebnisse

The text is devoted to the architectonics of philosophical autobiography as the author's building the integrity and significance of his own history in the con­text of acquiring a professional vocation. Understanding the sources of per­sonal unity, linking the emotional impressions of childhood and adolescence and the subsequent vector of creative life, the search for the beginning of in­dividuality, the discovery of "tying acts" and their event unfolding are consid­ered as aesthetic facets of self-reflection. The concept of "architectonics" refers to the creation of the integrity of the work, its composition, which con­veys the author's perception of life, sets its semantic structure, and deter­mines its main factors and lines. It is an attempt to connect life and vocation, to see the influence of one on the other, to consider the origins of one's present and from these positions to recognize the past, which always remains alive, changing, flickering. It remains a call to understanding, it is never com­plete, and needs the author's involvement. To ask questions about the past, to answer them from the position of what has been passed means to gain access to the versatility of your current state. Using G. Marcel's existential autobio­graphical works the author shows the importance of self-history narrative for understanding personality and history. Appeal to the past acquires the charac­ter of revealing in it those "requirements" that largely determine the creativity of a person and his life path, and become available through personal work with his experience.

The interview is devoted to the problem of existential experience, personal de­velopment, the role of existential philosophy in the cultural space, its dynamics and modern tasks. The question of the possibility of talking about existence, re­ferring not only to the existence of man, but also to the existence of an animal, is problematized. The "third wave" of existentialism (or neuroexistentialism) is considered, which concerns anxiety before the "disenchantment" of human na­ture, which carries new facets of the crisis of meaning. In the development of ex­istentialism, the role of the socio-cultural context is emphasized, its historical stages or "waves" are highlighted. The complex conjugation of the sensual and the rational in existential formation is shown. Experience is interpreted as a mul­tifaceted phenomenon that includes intellectual reflection, embodied in memory, comprehension of situations and events, establishing a connection in personal history. The human experience is culturally loaded, associated with the develop­ment and living of cultural archetypes and patterns, and includes the personal work of a person on himself, his growth in the perspective of the always relevant question of meaning and the answer to it. In the context of personal develop­ment, the concept of metaexistence is touched upon, which addresses the spiri­tual maturity of a person, the integration of experience and the experience of meaningfulness and value of life.