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This article explores collective experiences of Japanese popular music within the post-Second World War South Korean society along with related identity strategies – elimination, stratification and standardization – from postcolonial perspectives and discuss what characterizes 'Japanese-ness' as a musical, industrial and social product. In the context of strategies to eradicate it from the urban spaces, cultural industry and memories and bodies of Korean people, Japanese-ness – labelled under the moniker waesaek – was proscribed as a cultural remnant of imperialism, militarism and colonial dominion and thus, a harmful influence on its public. South Korean popular songs categorized as waesaek music within this model were subject to social criticism and gentrified in the music marketplace as trot. On the other hand, Americanization was an important strategy used to construct a new 'Korean-ness' separate from the Japanese-ness lingering within the country from its colonial past. Japanese-ness in popular music in post-war South Korea continually changed as it was re-imagined and re-constructed in parallel with musical, social and industrial changes in South Korea. Each of these strategies carries its own corresponding paradoxes, and Korean-ness and Japanese-ness are cast in sharp relief as distinct cultural products while still containing those paradoxes. This article argues that these strategies, both global and local in scope, highlight the fact that post-colonialism cannot be explained merely by the relationship between one colony and one empire but rather evolves in a global and local milieu, in which multiple empires and colonies are intertwined.

The objectives of this study are to identify the principal components that represent distinctive shapes from the silhouette and profile views of the lower body shapes of abdominal obese Korean men and to categorize their body types. Using 3D scans of 625 men aged 35–64 in the 6th SizeKorea dataset, 173 scans (27.7%) of men in 'abdominal obese' category (BMI value of 25, waist girth to height ratio of 0.53, and waist girth to hip girth ratio of 0.9 or higher) were utilized. We developed a script to measure 38 items such as front/back crotch length and front/back depths and angles using the SNU-BM program, which is a script-based automated 3D body scan measurement software. The measurements used for principal component (PC) analysis were 31 drops, 2 heights, 2 lengths and 4 angles. Ten PCs representing distinctive silhouettes and profiles of lower body shapes were extracted. The PCs were interpreted as follows: abdomen prominence, thigh to knee profile, upper buttocks prominence, waist to hip drop, thigh to knee silhouette, lower body tilt angle, waist to crotch length, vertical height, abdomen to crotch height, and lower buttocks slope. The three body shape groups were categorized using a K means cluster analysis with ten PC scores. Group 1 had a flat abdomen but prominent buttocks. Group 2 had a developed abdomen and buttocks with vertical thighs. Group 3 had drooped buttocks with tilted thighs. ; This work was supported by the National Research Foundation of Korea (NRF) Grant funded by the Korean Government (MSIP) (NRF-2017R1C1B5017733).