La presente exposicion se propone explicar la aparente contradiccion entre las manifestaciones publicas de solidaridad durante las huelgas mineras en Chile y las imagenes mas intimas de tension y conflicto extraidas de historias de engano y violencia domestica, y de autodefiniciones de masculinidad. El autor echa una mirada a la historia de la mujer en El Teniente para examinar la construccion historica de relaciones de genero desde los anos veinte
In Contested Communities Thomas Miller Klubock analyzes the experiences of the El Teniente copper miners during the first fifty years of the twentieth century. Describing the everyday life and culture of the mining community, its impact on Chilean politics and national events, and the sense of self and identity working-class men and women developed in the foreign-owned enclave, Klubock provides important insights into the cultural and social history of Chile.
In April of 1983, the Chilean copper miners'confederation (the Confederación de Trabajadores de Cobre, or CTC), representing 26,000 copper workers, called for a general strike in Chile's copper mines and for a day of national protest against the military regime of Augusto Pinochet.
Labor history and public history have had a long relationship in the United States, as James Green argues in Taking History to Heart, dating back to Progressive-era historians like Mary Ritter and Charles A. Beard. Labor historians like Phillip Foner, who identified with the "Old Left," made labor history public history through ties to labor organizations and the Communist Party. Then, during the 1960s, historians identified with the "New Left" and inspired by E.P. Thompson, worked to extend social history and working-class history "from the bottom up" beyond the confines of the academy, even as they shifted their focus from the institutional histories of unions and political parties, to make the history of "ordinary people" and "everyday life" public history. The organization of history workshops and the proliferation of oral history projects reflect the ways in which historians of the working class made their practices public history in new ways during the 1960s and 1970s while expanding the sphere of both "the public" and "labor" to include histories of women, gender and patriarchy, and ethnic and racial minorities.
