Uncensored: Samizdat novels and the quest for autonomy in Soviet dissidence
In: Northwestern University Press studies in Russian literature and theory
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In: Northwestern University Press studies in Russian literature and theory
In: Canadian Slavonic papers: an interdisciplinary journal devoted to Central and Eastern Europe, Band 65, Heft 3-4, S. 521-522
ISSN: 2375-2475
In: Materiaux pour l'histoire de notre temps, Band 145-146, Heft 3, S. 22-26
ISSN: 1952-4226
À partir du projet mené par les Bibliothèques de l'Université de Toronto depuis 2011, cet article revient sur les principes d'organisation d'une ressource en ligne sur le samizdat et la dissidence, phénomènes de réseaux. Comment numériser et présenter des données peu nombreuses mais représentatives ? Comment garantir la souplesse nécessaire à un travail collaboratif ? Comment citer d'importants projets et collections, qu'ils soient institutionnels ou pas ? Et comment assurer la diffusion des résultats de valorisation dans des formats divers ?
In: Canadian Slavonic papers: an interdisciplinary journal devoted to Central and Eastern Europe, Band 64, Heft 4, S. 519-520
ISSN: 2375-2475
In: Slavic review: interdisciplinary quarterly of Russian, Eurasian and East European studies, Band 78, Heft 2, S. 601-603
ISSN: 2325-7784
In: East European Jewish affairs, Band 48, Heft 1, S. 23-40
ISSN: 1743-971X
In: Slavic review: interdisciplinary quarterly of Russian, Eurasian and East European studies, Band 74, Heft 4, S. 947-948
ISSN: 2325-7784
In: Slavic review: interdisciplinary quarterly of Russian, Eurasian and East European studies, Band 71, Heft 1
ISSN: 0037-6779
In: Slavic review: interdisciplinary quarterly of Russian, Eurasian and East European studies, Band 71, Heft 1, S. 70-90
ISSN: 2325-7784
In this article Ann Komaromi proposes a new critical look at the history of Soviet dissidence by way of samizdat and the idea of a private-public sphere. Samizdat is defined in a less familiar way, as a particular mode of existence of the text, rather than in terms of political opposition or a social agenda. This allows for a broader view of dissidence that includes familiar phenomena like the civil rights or democratic movement, along with relatively little known national, cultural, musical, artistic, poetic, and philosophical groups. The multiple perspectives of Soviet dissidence correspond to a decentered view of a mixed private-public sphere that resembles Nancy Fraser's modification of Jürgen Habermas's classic public sphere. This model of a private-public sphere provokes new questions about unofficial institutions and structures, the dialectic between private and public impulses in Soviet samizdat, and the relationship of dissidents to foreign individuals and organizations. The empirical basis for this analysis is a survey of Soviet samizdat periodicals from 1956 to 1986.
In: Slavic review: interdisciplinary quarterly of Russian, Eurasian and East European studies, Band 70, Heft 3, S. 719-720
ISSN: 2325-7784
In: Osteuropa, Band 60, Heft 11, S. 43-57
ISSN: 0030-6428
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In: Osteuropa, Band 60, Heft 11, S. 43-58
ISSN: 0030-6428
In: Slavic review: interdisciplinary quarterly of Russian, Eurasian and East European studies, Band 66, Heft 4, S. 605-629
ISSN: 0037-6779
In: Slavic review: interdisciplinary quarterly of Russian, Eurasian and East European studies, Band 66, Heft 4, S. 605-629
ISSN: 2325-7784
This article proposes a new interdisciplinary model for investigating unofficial culture and dissident social activity in the post-Stalin period. Although binary oppositions like art versus politics and unofficial versus official are recognized today to be ideologically implicated and critically outmoded, Ann Komaromi argues that they have a certain usefulness when reconceived as structural components of an autonomous unofficial field. This critical model is developed with polemical reference to Pierre Bourdieu's theory of the field of culture. The late Soviet opposition between art and politics is explored through Andrei Siniavskii's struggle with editors over the 1965 edition of Boris Pasternak's poetry and via the organization of the famous 5 December 1965 "Meeting of Openness" coordinated by Aleksandr Esenin-Vol'pin. The critical model proposed emphasizes the material history of conceptions of autonomy fundamental to the field, profiling dynamic binaries and permeable boundaries as sites of critical interest.
In: Slavic review: interdisciplinary quarterly of Russian, Eurasian and East European studies, Band 63, Heft 3, S. 597-618
ISSN: 0037-6779