Suchergebnisse

This article aims at demonstrating the relevance of the concept of 'media witnessing' as an analytical lens for the study of audience engagement with media reports of distant suffering. Drawing upon existing theoretical work on the concept, the article approaches media witnessing as a distinct modality of audience experience and constructs an analytical framework for its study. Applying this framework on an empirical study of Greek audiences, the article provides a typology of witnessing, consisting of four different types of audience engagement with media stories of human suffering. This typology illustrates the complexities inherent in the practice of watching suffering on television, as well as the limitations of mediated cosmopolitan imagination.

Confronted with images of distant suffering on a frequent basis, television viewers are often invited to take a moral stance. This article argues that illustrative of the viewers' moral engagement with such news stories is the way they remember them. It studies the practice of media remembering as the discursive reconstruction of events witnessed through the media. Drawing upon empirical material from focus group discussions with Greek audiences, the article argues that there is a moral hierarchy in the way viewers remember distant suffering. This hierarchy, constructed through the intertwined processes of remembering and forgetting, reflects the political and cultural frameworks viewers employ in making sense of distant disasters.

AbstractMajor humanitarian crises and disasters broadcasted around the world are often accompanied by an upsurge of global reactions and outpouring of aid pledges. As such, they become symbolic of a 'global community' and 'cosmopolitan solidarity'. The present paper examines this kind of cosmopolitanism and the role of the media in its construction, providing an empirical dimension to a hitherto largely theoretical discussion. Drawing upon focus group discussions with audience members in Greece, the paper will explore how media disasters are being experienced by audiences and the ways this experience is implicated in their perceptions of the world and their place in it. Focusing on the constant interplay between cosmopolitan and national discourses in participants' responses, it will be argued that cosmopolitanism and nationalism cannot be sharply juxtaposed, but cosmopolitanism is often framed through the national.

Abstract
Current accounts on globalization and transnational media flows have reformed traditional debates on media events and have raised questions on the integrative potential of media events at a global level. This article addresses this issue by employing the case of global disasters as media events and exploring some of the characteristics of the global public sphere surrounding them in one of its particular actualizations: that of the Greek audience. The article is empirically grounded on focus group discussions through which questions of perception and framing of disasters as well as of the potential of promotion of global solidarity will be addressed.

In Female Beauty in Art, a series of essays examine the presence and role of female beauty in art, history and culture, and consider the ways in which beauty can function as a discourse of female identity. As a concept, female beauty is unique in that it can contain compelling imbrications of gender ideologies, images, relations, cultural constructions and modes of interaction between persons and the institutions that define their lives. Thus, female beauty can provide proliferating methods t

This article explores the role of media and communication processes in the organization of collective action in Greece in the context of the Aganaktismeni (Indignant) protests and subsequent solidarity networks. Theoretically, the article employs the concept of communication ecology to highlight the complex network of media platforms in which collective action is embedded. The concept allows us to explore collective action both within the specific cultural and political environment in Greece as well as beyond specific moments of political mobilization and across time. Based on interviews with activists from various solidarity networks in Athens, we discuss the use of media and unmediated communication practices employed for the organization and mobilization of collective action. We argue that these practices need to be explored beyond the moment of protest in order to better understand how collective action moves across social and political sites.

This article explores the role of media and communication processes in the organization of collective action in Greece in the context of the Aganaktismeni (Indignant) protests and subsequent solidarity networks. Theoretically, the article employs the concept of communication ecology to highlight the complex network of media platforms in which collective action is embedded. The concept allows us to explore collective action both within the specific cultural and political environment in Greece as well as beyond specific moments of political mobilization and across time. Based on interviews with activists from various solidarity networks in Athens, we discuss the use of media and unmediated communication practices employed for the organization and mobilization of collective action. We argue that these practices need to be explored beyond the moment of protest in order to better understand how collective action moves across social and political sites.

The protests of the Indignados in Spain and their counterpart of Aganaktismeni in Greece have been the most vocal expression of civic discontent against the ways the Euro crisis has been handled by national governments and the Eurozone. This article studies how these protests have been covered in the mainstream press. Drawing upon the 'protest paradigm', which longstanding research has employed to describe the template and biased way protests have been traditionally covered, we have conducted content analysis of mainstream Spanish and Greek newspapers. We argue that the overall coverage moved beyond the protest paradigm. It adopted a more positive tone in reporting the protests, including the individual voices of the protesters and covering the performative aspects of the movement in positive terms. At the same time, however, the protests were overwhelmingly reported as a mere expression of resentment against the status quo rather than as offering valid political alternatives.

This thematic issue presents the outcome of the 2015 ECREA Communication and Democracy Section Conference "Political Agency in the Digital Age" that was held at the Copenhagen Business School in Denmark. It problematizes changes in the configurations of political agency in the context of digital media. The articles represent a shift from an exclusive focus on political elites to the interrelation between institutionalised politics and political processes in other societal spheres in the field of media and politics research. Political agency as the main notion of the thematic issue draws attention at the (media) practices through which social actors reproduce, reorganise and challenge politics. At the same time, the issue poses questions about the structures—economic, political and social—that allow for, define and also limit these practices. The contributions gathered here suggest an understanding of agency as constituted through the use of knowledge and resources, themselves embedded within structural contexts; at the same time, agency is transformative of the structures within which it is embedded by making use of knowledge and resources in creative and often radical ways. In that context the development of digital media marks a rupture or critical juncture that allows and requires a rethinking of conditions of political agency. Accordingly the contributions critically scrutinize the role of digital media moving beyond celebratory accounts of democratizing potential of digital media. The rethinking of the grammar of political agency is at the heart of this thematic issue.

This thematic issue presents the outcome of the 2015 ECREA Communication and Democracy Section Conference "Political Agency in the Digital Age" that was held at the Copenhagen Business School in Denmark. It problematizes changes in the configurations of political agency in the context of digital media. The articles represent a shift from an exclusive focus on political elites to the interrelation between institutionalised politics and political processes in other societal spheres in the field of media and politics research. Political agency as the main notion of the thematic issue draws attention at the (media) practices through which social actors reproduce, reorganise and challenge politics. At the same time, the issue poses questions about the structures—economic, political and social—that allow for, define and also limit these practices. The contributions gathered here suggest an understanding of agency as constituted through the use of knowledge and resources, themselves embedded within structural contexts; at the same time, agency is transformative of the structures within which it is embedded by making use of knowledge and resources in creative and often radical ways. In that context the development of digital media marks a rupture or critical juncture that allows and requires a rethinking of conditions of political agency. Accordingly the contributions critically scrutinize the role of digital media moving beyond celebratory accounts of democratizing potential of digital media. The rethinking of the grammar of political agency is at the heart of this thematic issue.

This thematic issue presents the outcome of the 2015 ECREA Communication and Democracy Section Conference "Political Agency in the Digital Age" that was held at the Copenhagen Business School in Denmark. It problematizes changes in the configurations of political agency in the context of digital media. The articles represent a shift from an exclusive focus on political elites to the interrelation between institutionalised politics and political processes in other societal spheres in the field of media and politics research. Political agency as the main notion of the thematic issue draws attention at the (media) practices through which social actors reproduce, reorganise and challenge politics. At the same time, the issue poses questions about the structures - economic, political and social - that allow for, define and also limit these practices. The contributions gathered here suggest an understanding of agency as constituted through the use of knowledge and resources, themselves embedded within structural contexts; at the same time, agency is transformative of the structures within which it is embedded by making use of knowledge and resources in creative and often radical ways. In that context the development of digital media marks a rupture or critical juncture that allows and requires a rethinking of conditions of political agency. Accordingly the contributions critically scrutinize the role of digital media moving beyond celebratory accounts of democratizing potential of digital media. The rethinking of the grammar of political agency is at the heart of this thematic issue.

Abstract