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"This book explores the changing tactics, technologies and terrains of 21st century war. It argues that the world in 2049 is unlikely to look like the climate change/AI dystopia depicted in Blade Runner 2049; but nor will it be a world where conflict and war has been transformed by a 'civilizing process' that eradicates violence and conflict from the human condition. 2049 is also the year that the US Department of Defense has suggested China will become a world-shaping military power. All states will be engaged in 'arms races' across a variety of new tools and technologies - from drones, robotics, AI and quantum computing - that will transform politics, economy, society and war. Drawing on thinkers such as Zygmunt Bauman and Paul Virilio, the book suggests that future war will be shaped by three broad tendencies that include a broad range of tactics, technologies and trends; the Impure, the Granular and the Machinic. Through discussions of cybersecurity, urban war, robotics, AI, climate change, science fiction and new strategic concepts, it examines how these tendencies might evolve in the different geopolitical futures and types of war ahead of us. The book provides a thought-provoking and distinctive framework through which to think about the changing character of war. It concludes that for all the novel and dangerous challenges ahead, the futuristic possibilities of warfare will likely continue to be shaped by problems familiar to students of international relations and the history of war - albeit problems that will play out in geopolitical and technological contexts that we have never encountered before. This book will be of much interest to students of critical war studies, security studies, science and technology studies, and International Relations in general"--

"This book analyses some of the key problems explored in Paul Virilio's theorising on war and security. Virilio is one of the most challenging and provocative critics of technology, war and globalisation. While many commentators focus on the new possibilities for mobility and communication in an interconnected world, Virilio is interested in the role that technology and security play in the shaping of our bodies and how we come to see the world -- what he terms the 'logistics of perception'. Security, Technology and Global Politics explores Virilio's work in this area, with each chapter using examples from popular culture -- from video games and on-line graphic novels, to films from around the world - as a starting point from which the author goes on to develop a critical engagement with Virilio's work. One of the key themes that emerge from this analysis is the importance of the idea of 'disappearance' -- the aesthetics of disappearance or the politics of disappearance. The book argues that the politics of disappearance provides a disturbing and insightful introduction to the key questions posed by politics of security in the twenty-first century. This book will be of much interest to students of critical security studies, political theory, sociology, political geography, cultural studies and IR in general."--

The article attempts to tease out some of the contradictions & ambiguities of Hollywood cinema, with regards to its depictions of modern technology & ecopolitics. Cinema, it is suggested, is often developing ideas in a manner that resonates with the critiques created in sectors of critical theory. The article focuses on movies that appear to offer a critique of the use of technology in capitalist modernity, such as Jurassic Park & The Lost World. At the same time as these movies offer a critique of modernist uses of nature, they are also commodities (often designed to market other types of goods) & have limited emancipatory potential. The article concludes by arguing that there are few areas of contemporary cinema that create a space of resistance to antiecological development. Adapted from the source document.