Suchergebnisse

AbstractMusic became a marker of national identity in nineteenth‐century Europe. Western art music consists of tonal systems that are universally intelligible, but certain rhythms and musical idioms have been associated with national styles. How, when, and why does a musical phrase or piece become national? What political and cultural circumstances contributed to the development of national styles and facilitated the emergence of resonant topographies? What was the relationship between music as cultural practice and nineteenth‐century national thought as discursive space? These questions are addressed with a particular focus on verbunkos, which came to be characteristic of Hungarian national style, and on the Rákóczy March which became famous thanks to Berlioz's Faust. This essay traces the complex process of cultural transfer through which these martial tunes of mixed ethnic origins have become emblematic of Hungarian music.

"Nineteenth-century national movements perceived the nation as a community defined by language, culture and history. Part of the infrastructure to convince the public were institutions publishing literary and scientific texts in the national language. Starting with the Matica srpska (Pest, 1826), a particular kind of society was established in several parts of the Habsburg Empire - inspiring each other, but with often major differences in activities, membership and financing. Outside of the Slavic world analogue institutions played a similar key role in the early stages of national revival in Europe. The Matica and Beyond is the first concerted attempt to comparatively investigate both the specificity and commonality of these cultural associations, bringing together cases from differing regional, political and social circumstances. Contributors are: Daniel Baric, Benjamin Bossaert, Marijan Dović, Liljana Gushevska, Jörg Hackmann, Roisín Higgins, Alfonso Iglesias Amorín, Dagmar Kročanová, Joep Leerssen, Marion Löffler, Philippe Martel, Alexei Miller, Xosé M. Núñez Seixas, Iryna Orlevych, Magdaléna Pokorná, Miloš Řezník, Jan Rock, Diliara M. Usmanova, and Zsuzsanna Varga"--

AbstractThis themed section aims to examine the offline implications of a thriving online nationalist culture fostered by various social media platforms. Several studies have concluded that social media have enhanced nationalism, but there is still a significant lacuna in understanding the deep social, political, and cultural transformations produced by online platforms. How is nationalism different in the digital age? How do nationalists harness the transnational character of social media to disseminate and channel their message simultaneously to various cultural groups? How is the message composed and translated to appeal to various groups, and how does nationalist content cross language and cultural boundaries? The papers that make up this themed section explore the transnational aspects of digital cultures and provide new insights into the methodological difficulties of understanding the offline impact of the contents of social media.

Do narratives make nations, and if so, did networks make this happen? The notion that national and other group identities are constructed and sustained by narratives and images has been widely postulated for several decades now. This volume contributes to this debate, with a particular emphasis on the networked, transnational nature of cultural nation-building processes in a comparative European and sometimes extra-European context. It gathers together essays that engage with objects of study ranging from poetry, prose, and political ideas to painting, porcelain, and popular song, and which draw on examples in Icelandic, Arabic, German, Irish, Hungarian, and French, among other languages. The contributors study transcultural phenomena from the medieval and early modern periods through to the modern and postmodern era, frequently challenging conventional periodizations and analytical frameworks based on the idea of the nation-state.

Do narratives make nations, and if so, did networks make this happen? The notion that national and other group identities are constructed and sustained by narratives and images has been widely postulated for several decades now. This volume contributes to this debate, with a particular emphasis on the networked, transnational nature of cultural nation-building processes in a comparative European and sometimes extra-European context. It gathers together essays that engage with objects of study ranging from poetry, prose, and political ideas to painting, porcelain, and popular song, and which draw on examples in Icelandic, Arabic, German, Irish, Hungarian, and French, among other languages. The contributors study transcultural phenomena from the medieval and early modern periods through to the modern and postmodern era, frequently challenging conventional periodizations and analytical frameworks based on the idea of the nation-state