Suchergebnisse

"In Greece Reinvented Han Lamers explores the transformations of Byzantine Hellenism in Renaissance Italy. Relinquishing their traditional Roman inheritance, the Byzantine intelligentsia in Italy generally portrayed themselves as 'children of the Hellenes'. On the basis of sources in Greek, Latin, and Italian, and at the crossroads of cultural, literary, and intellectual history, Greece Reinvented shows in what ways Greek exiles such as Bessarion, George Trapezuntius, Ianus Lascaris, Michele Marullo, and others redefined what it meant to be Greek in the Italian diaspora. Placing their renewed 'Greekness' in the context of the cultural exchange between Greeks and Latins, Greece Reinvented reveals the cultural dynamics behind the much-studied transfer of Greek learning from Byzantium to the Latin West"--

Abstract
This article explores the role of the Latin language in the context of political performance and spectacle under Italian Fascism. We investigate the different ways in which Latin words, phrases, and texts are used as visual and symbolic elements of Fascist performances and how they are staged in contemporary media coverage. Specifically, this article focuses on three case studies: first, human mosaics of the word DVX; second, the use of a tapestry bearing a Latin motto in the context the fourteenth anniversary of Fascism; and finally, the role of a Latin foundation deposit in an inauguration ceremony for building works at the Esposizione Universale di Roma. Two main arguments connect the three case studies. First, we argue that the Latin language does not simply gesture towards Roman antiquity, but that it is used to evoke several different pasts at the same time. Second, we show that the Latin language has a range of affordances for diverse audiences, which are tied closely to the visuality, materiality, and symbolism of Latin during the ventennio fascista.

Abstract
This article analyses Francesco Giammaria's Capitolium Novum, a Latin poem describing a tour of the historic center of Rome in 1933, in its historical, architectural, and intellectual contexts. It offers a detailed analysis of three key sections of the poem, which deal with the Colosseum, the Arch of Constantine, and the Ara dei caduti fascisti respectively. The authors show how Giammaria's poem responds to urbanistic interventions in the city center during the ventennio, and specifically to the Fascist 'recoding' of the city as the 'Third Rome', with a narrative emphasizing the historically layered nature of Rome. Giammaria offers his own interpretation of the respective importance and interrelation of the city's historic layers: the rhetoric of his poem is aimed at superimposing Catholic Rome over pagan Rome, and at framing all historical layers of the city, including the Fascist one, as part of its Christian mission and destiny. Thus, Capitolium novum resonates with efforts of intellectuals gathered around Carlo Galassi Paluzzi's Istituto di Studi Romani, who aimed to promote a cultural reconciliation between Fascism and Catholicism.

The Codex Fori Mussolini in context -- Introduction -- Structure and content -- Editions -- The author of the Codex Fori Mussolini -- The Codex and the use of Latin under fascism -- The Codex and the Foro Mussolini -- The Codex under the obelisk -- The Codex as a foundation deposit -- Latin text and translation -- List of textual variants -- Commentary -- Timeline