Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- 1: Introduction -- Audiovisual Tourism Promotion -- Works Cited -- Part I: Media Forms -- 2: Australian Tourism Film 1926-1975: Promoting Australia in the Age of Government-Led Film Production -- Introduction -- The Beach: Australia's Favourite Tourist Playground -- Lush Suburban Gardens and Summer All Year Long: Suburbia in Australian Tourism Films -- Stylistic and Narrative Trajectories in Australian Tourism Film -- Tourism Promotion and Colonial Agenda: A Tight Intertwining -- Conclusions -- Works Cited -- 3: More than Just Safety: A Critical History of In-flight Safety Briefing Videos -- Introduction -- Part 1: In-flight Safety Briefing Videos-A Historical Overview -- Part 2: Destination Middle-Earth-Air New Zealand Safety Marketing -- Conclusion -- Works Cited -- 4: The Promotion of Tourism on Radio Waves -- Introduction -- Tourism, Promotion, and Media -- Radio and Tourism -- Methodology -- Results and Discussion -- Characterization of the Programmes -- The Voices of Tourism -- The Themes of the Programmes -- The Expressiveness of Radio and Tourism -- Conclusion -- Works Cited -- 5: Digital Content Creation and Storytelling at the Time of COVID-19: Tourism Ireland's Online Film I Will Return -- Introduction -- Tourism Ireland's Online Film I Will Return: Context and Theoretical Approach -- I Will Return: Analysis and Discussion -- Conclusion -- Works Cited -- 6: Virtual Tourism in the Age of COVID-19: A Case Study of the Faroe Islands' 'Remote Tourism' Campaign -- Virtual Tourism -- Tourism Marketing and Promotion in the Faroe Islands -- Remote Tourism -- Conclusions -- Works Cited -- Part II: Recent Developments in Screen-Induced Tourism -- 7: Fabulous Locations: Tourism and Fantasy Films in Italy -- Introduction.
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The histories of New Zealand and Australian film production, distribution and exhibition have been characterized by significant exchanges in terms of culture, technology, creative personnel and policy approaches. Despite forming a persistent characteristic of the film industries of both countries, these connections have so far been either ignored or under-examined. This article investigates the technological, industrial, economic and cultural factors that influenced the relationship between Australian and New Zealand filmmaking during the early period of cinema until the 1930s. During this period, film production and distribution in New Zealand and Australia was conceived as an Australasian initiative characterized by both extensive labour mobility and an integrated film market. Early Australasian filmmakers moved seamlessly across the Tasman, producing films both in Australia and in New Zealand and contributing to both national cinematic traditions. This article argues that to fully grasp the histories of Australian and New Zealand film, it is essential to consider the contribution that these Australasian filmmakers made to the cultural, technological and industrial development of both national cinemas.
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