Reel Arguments: Film, Philosophy, and Social Criticism
Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- 1 Introduction: Film as Social Philosophy -- Part One: Film, Technology, and Built Space -- 2 Enemies of the State? Electronic Surveillance and the Neutrality of Technology -- 3 Wim Wenders's Everyday Aesthetics -- 4 Boyz in the Woods: Los Angeles as Urban Wilderness -- Part Two: Film, Group Interests, and Political Identity -- 5 John Sayles on Class Interest -- 6 Spike Lee, Chico Mendes, and the Representation of Political Identity -- Notes -- Index