Suchergebnisse

The aim of this article is to look at the political implications of identity patterns in one case that is of exceptional interest, that of Spain. It begins by looking at the nature of identity, and the challenges it poses in the contemporary world. This is followed by a section examining the issue of collective identity in the Spanish context, exploring variation in forms of regional identity and relating this to new political structures in the regions. The two last sections look respectively at the manner in which the regional party systems reflect diverse patterns of identity and the challenges posed by these patterns for the system of government. Adapted from the source document.

The political behavior of elites & citizens, the party system, & standards of governability in Spain cannot be understood without adequate attention to the splits of identity between citizens & territories in that country. The Basque case is the most critical of those splits, because the relationship between the national government & the Basque region reflects a cleavage of the first order in Spanish politics. Here, Basque polarized pluralism is explored in terms of political attitudes, ethnic identity, & the support of terrorism, drawing on extant survey data, 1978-1998. 10 Tables. Adapted from the source document.

[EN] It's important to know the political and social life to Giuseppe Terragni. He wanted to express the new artist and political order. He takes part in controversial design and in his public life. His work has been, until recently, a critical for his links with fascism the mussolini. His brother, the fascist mayor of Como, and Margherita Sargatti, Mussolini's lover, they make possible orders of Terragni. He was a high moral, sensitive artist and fascist. He was the most important on Italian modern architecture. The Terragni's life is connected to Como. The study - laboratory from The Terragni brothers in Via Independeza 23, is a place to meet and discuss for the group of artist and intellectual to Como, such as Mariano Radice, Marcello Nizzoli, Manlino Rho and Carlos Badiali. Also Pietro Lingeri, the best friend to Terragni. All of them will be on his professional life. First, the thesis investigates relations between theoretical principles and projects methods, delving in architecture, using the Casa del Fascio and the Danteum. He made architectonic analysis, centered initial objectives, without forgetting any other stimulus. This analysis made with planes and schemes, are graphics documents that help to understand the work to Giuseppe Terragni. The data obtained with the analysis, is sorted in comparative tables that explaining the matters sought. The Casa del Fascio and the Danteum identify with the policy of the fascist revolution, basing its link in abstraction. Research shows a direct relationship between architectural ideas of Terragni and theoretical principles of the Fascist revolution, without them, his work wouldn't exist. The thesis presents the direct relation between political activism and the resulting architecture. The formalist absence between the two buildings increases their representative role. Both projects belong to the world of meaning. These meanings are complex and multiple readings, are very prone to erroneous or contradictory interpretations, endorsing importance of the importance of ...