The power of Hyphen-Nationalism: Martin Scorsese's sojourn from Italian American to White-Ethnic American
In: Social identities: journal for the study of race, nation and culture, Band 23, Heft 5, S. 562-578
ISSN: 1363-0296
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In: Social identities: journal for the study of race, nation and culture, Band 23, Heft 5, S. 562-578
ISSN: 1363-0296
In: Theory and society: renewal and critique in social theory, Band 44, Heft 3, S. 219-249
ISSN: 1573-7853
In: American behavioral scientist: ABS, Band 48, Heft 11, S. 1468-1481
ISSN: 0002-7642
In: American behavioral scientist: ABS, Band 48, Heft 11, S. 1468-1481
ISSN: 1552-3381
This article analyzes a jazz trope that appeared in literature, film, and journalism from the 1930s to the early 1960s. It shows how the distinct symbolic order and moral boundaries of these cultural fields shaped a "story of jazz" that acted as a metaphor for class, race, and urban America. The jazz trope represented a double consciousness of romantic rebellion and dangerous deviancy in which the story of jazz almost always ended in tragic consequences. The ultimate tragedy of the jazz life in the popular imagination acted to reaffirm dominant norms against a rebellious and deviant world in urban America.
In: The American journal of sociology, Band 108, Heft 2, S. 493-494
ISSN: 1537-5390
In: The annals of the American Academy of Political and Social Science, Band 566, S. 25-36
ISSN: 0002-7162
Analyzes the musical syncretism involved in the development of a modern jazz tradition in the US in the first half of the 20th century. It is shown how a professional ethos among popular musicians during this period guided their reinterpretation & reinvention of folk, popular, & classical music practices in the creation of a jazz tradition. It is argued that this ethos led them, in their low-status positions as popular musicians, to affirm their legitimacy through the creation of a high-art aesthetic. In general, analysis shows how the social context in the diffusion of jazz practices affected the transformation of these practices in value & form. 13 References. Adapted from the source document.
In: The American journal of sociology, Band 98, Heft 6, S. 1466-1468
ISSN: 1537-5390
In: The annals of the American Academy of Political and Social Science, Band 566, S. 8-155
ISSN: 0002-7162
Examines innovation and diffusion as social processes for transmitting and adopting new ideas, practices, and technologies; topics include fashionable clothing, community outreach, industrial pollution, political activism, morality policy, tobacco regulation, jazz music, and diffusion theory; US, chiefly.
In: Asia Pacific business review, Band 29, Heft 5, S. 1243-1250
ISSN: 1743-792X
In: Asia Pacific business review, Band 29, Heft 5, S. 1349-1368
ISSN: 1743-792X
In: Culture and Education Series
The work of Pierre Bourdieu, one of the most influential French intellectuals of the twentieth century, has had an enormous impact on research in fields as diverse as aesthetics, education, anthropology, and sociology. Pierre Bourdieu: Fieldwork in Art, Literature, and Culture is the first collection of essays to focus specifically on the contribution of Bourdieu's thought to the study of cultural production