Suchergebnisse

This is an edited and updated transcript of a November 2016 interview that was part of the Tianxia Podcast Series (http://www.chinoiresie.info/tessa-morris-suzuki-podcast-diamondmountains/). The conversation transcribed here focuses on a discussion of Tessa MorrisSuzuki's To the Diamond Mountains: A Hundred-Year Journey through China and Korea ( 2010), a travelogue based on a trip she took in 2009 to Northeast China, North Korea, and South Korea with the purpose of retracing the 1910 journey of the English adventurer and artist Emily Georgiana Kemp. We discuss the book in relation to the momentous transformations that have occurred over the long twentieth century in the areas visited by Kemp, and to the ways in which grassroots movements and new forms of survival politics are remaking Northeast Asia today.

This paper examines irregular South-South migration from China to Ghana, and the role it has played in transforming livelihoods and broader developmental landscapes. It looks at the entry from the mid-2000s of approximately 50,000 Chinese migrants into the small-scale gold mining sector. They were mainly from Shanglin County, an area of alluvial gold mining. In Ghana, they formed mutually beneficial relationships with local miners, both legal and illegal, introducing machinery that substantially intensified gold production. However, the legal status of Chinese miners was particularly problematic as, by law, small-scale mining is restricted to Ghanaian citizens. In mid-2013 President Mahama established a military task force, which resulted in the deportation of many Chinese miners. This paper examines the experiences of undocumented Chinese migrants and Ghanaian miners. Findings are that this short-lived phenomenon has had long-lasting effects and significant consequences for Ghanaian and Chinese actors, as well as transforming economic, political, and physical landscapes in Ghana.

According to the Chinese zodiac, 2017 was the year of the 'fire rooster', an animal often associated with the mythical fenghuang, a magnificently beautiful bird whose appearance is believed to mark the beginning of a new era of peaceful flourishing. Considering the auspicious symbolism surrounding the fenghuang, it is fitting that on 18 October 2017, President Xi Jinping took to the stage of the Nineteenth Party Congress to proclaim the beginning of a 'new era' for Chinese socialism. However, in spite of such ecumenical proclamations, it became immediately evident that not all in China would be welcome to reap the rewards promised by the authorities. Migrant workers, for one, remain disposable. Lawyers, activists, and even ordinary citizens who dare to express critical views also hardly find a place in Xi's brave new world. This Yearbook traces the stark new 'gilded age' inaugurated by the Chinese Communist Party. It does so through a collection of more than forty original essays on labour, civil society, and human rights in China and beyond penned by leading scholars and practitioners from around the world. ; The Australian Centre on China in the World is a publicly funded research centre. ; This project has been produced with the financial assistance of the Australian Centre on China in the World (CIW), Australian National University, and the European Union Horizon 2020 research and innovation programme under the Marie Sk?odowska-Curie grant agreement No 654852.

According to the Chinese zodiac, 2016 was the year of the fire monkey. What better character than Sun Wukong to inspire this inaugural volume of the Made in China Yearbook? In this past year, Chinese workers and activists from all walks of life have struggled under heightened repression by the Chinese party-state, showing remarkable endurance even under these dire circumstances. Through their battles, however small or short-lived, they repeatedly challenged the message of 'harmony' put forward by the Chinese authorities, creating 'disturbances' in the imaginary heaven engineered by the party-state. All of this is nothing other than proof of the survival of the monkey spirit in Chinese society. Even when trapped under a mountain of repression, or in terrible pain due to the curse of the magic headband of state control, the monkey still manages to briefly wriggle free, reminding us that not all is well, that not everything is predictable. ; The Australian Centre on China in the World is a publicly funded research centre. ; This project has been produced with the financial assistance of the Australian Centre on China in the World (CIW), Australian National University, and the European Union Horizon 2020 research and innovation programme under the Marie Sk?odowska-Curie grant agreement No 654852.