Cover -- Contents -- Acknowledgements -- Introduction -- Fags, female icons and Stonewall -- Fags, hags and queer sistership -- 1 From Pathology to Gender Dissent: Tennessee Williams's A Streetcar Named Desire -- 1.1 Streetcar: Perversion or great American (queer) art? -- Inversion: Maurice and unrequited desire -- Coming out: Stonewall and gay politics -- A Streetcar Named Desire: a gay play? -- From gender to libido (and back again?) -- 1.2 Streetcar: a play with gender? -- Stanley Kowalski: Polack, stud, husband -- Miss DuBois: queer defiance? -- 2 Heterosocial Tendencies -- A case of sexuality or gender? Feminism and queer theory -- Homosocial regimes, male power and not getting fucked -- Pulp Fiction: fucking butch -- Homosocial dissent, female bonding -- Mapping heterosocial bonds -- Straight talking: get some Attitude -- Slash fantasies/heterosocial bonds -- 3 Roseanne: Domestic Goddess as Heterosocial Heroine? -- Roseanne and political credibility -- Roseanne and homosociality: the queer challenge -- 'I now pronounce you men': Queer marriage and the domestic goddess -- Mary-come-lately or gay goddess? -- 4 Pedro Almodóvar and Women on the Verge of a Nervous Breakdown: the Heterosocial Spectator and Misogyny -- A Case of public or private? -- Liberal titillation and the regime of the couple -- Queer opportunities -- Women on the verge of queer sistership? -- The woman's film as gay film? -- Edward II: queer homosociality? -- Hysteria and heterosocial dissent -- Conclusion -- Fag Hag: a cautionary tale? -- Fags, hags and gender dissent -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X.
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