11 Ergebnisse
Sortierung:
Frontmatter -- Contents -- List Illustrations -- Foreword -- Acknowledgements -- I 'I'm gonna borrer me a Kodak': Photography and Lynching -- II 'Murderous Appetites': Photography and Fantasy -- III Black Types -- IV Frantz Fanon's War -- V Father Stories -- Afterword: Either/Or -- Works Cited -- Index
In: Cultural Memory in the Present Ser
In: Critical times: interventions in global critical theory, Band 4, Heft 2, S. 187-232
ISSN: 2641-0478
AbstractThis essay considers the various meanings of the word "crystallization" in Frantz Fanon's main theses on national culture and his political philosophy more generally. It also further considers the implications of crystallization alongside Fanon's notion of the "nation to come" for an understanding of his approach to art, history, philosophy, and religion. This philosophy of crystallization, of which there has been little or no mention in Fanonian studies, is also contrasted with and compared to works by the Guinean poet Keita Fodéba and the Iranian critic Ali Shariʿati.
In: Qui parle: critical humanities and social sciences, Band 27, Heft 2, S. 355-430
ISSN: 1938-8020
Abstract
This essay is a study of the notion of representation—its relation to difference, politics, diaspora, otherness, truth, and doxa—within Stuart Hall's work. The reevaluation of this concept in terms of dialectics and différance, or of blackness and innocence, is shown to be an abiding preoccupation of Hall's work. In particular, because blackness (or its notion) is never innocent, this essay explores the consequences of a certain undecidability that attends any encounter between representation and difference. And it is this X—its shaping of black meaning and life—that alerts us to an unsettling tension in Hall's work that no knowledge or encounter can fill and that leads to a purely negative reassessment of the racial imperatives of certain truths.
In: The black scholar: journal of black studies and research, Band 47, Heft 1, S. 1-2
ISSN: 2162-5387
In: Cultural critique, Band 94, Heft 1, S. 32-64
ISSN: 1534-5203
In: The year's work in critical and cultural theory: YWCCT, Band 23, Heft 1, S. 190-206
ISSN: 1471-681X
In: Postmodern culture, Band 24, Heft 1
ISSN: 1053-1920
This essay discusses "My Calling Cards, Series 1#" by artist and philosopher Adrian Piper. It examines the notion of etiquette in her work more generally, and discusses why the question of xenia and xenophobia remains crucial to Piper's art as well as to her Kantian aesthetics. The second half of the essay is taken up with the discussion of that aesthetics, and seeks to clarify Piper's reading of race and aesthetics by means of a reading of Edmund Burke's A Philosophical Enquiry into the Origin of our Ideas of the Sublime and the Beautiful (1757).
In: Qui parle: critical humanities and social sciences, Band 18, Heft 2, S. 215-248
ISSN: 1938-8020
In: Qui parle: critical humanities and social sciences, Band 13, Heft 2, S. 63-90
ISSN: 1938-8020
In: The year's work in critical and cultural theory: YWCCT, Band 24, Heft 1, S. 107-130
ISSN: 1471-681X