You Put a Spell on Me
In: The Oxford literary review: OLR ; critical analyses of literary, philosophical political and psychoanalytic theory, Band 42, Heft 2, S. 237-241
ISSN: 1757-1634
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In: The Oxford literary review: OLR ; critical analyses of literary, philosophical political and psychoanalytic theory, Band 42, Heft 2, S. 237-241
ISSN: 1757-1634
In: New Directions in Book History
This open access collection of essays examines the literary advice industry since its emergence in Anglo-American literary culture in the mid-nineteenth century within the context of the professionalization of the literary field and the continued debate on creative writing as art and craft. Often dismissed as commercial and stereotypical by authors and specialists alike, literary advice has nonetheless remained a flourishing business, embodying the unquestioned values of a literary system, but also functioning as a sign of a literary system in transition. Exploring the rise of new online amateur writing cultures in the twenty-first century, this collection of essays considers how literary advice proliferates globally, leading to new forms and genres.
In: Comparative Literature and Culture
Mediating Vulnerability examines vulnerability from a range of connected perspectives. It responds to the vulnerability of species, their extinction but also their transformation. This tension between extreme danger and creativity is played out in literary studies through the pressures the discipline brings to bear on its own categories, particularly those of genre. Extinction and preservation on the one hand, transformation, adaptation and (re)mediation on the other. These two poles inform our comparative and interdisciplinary project. The volume is situated within the particular intercultural and intermedial context of contemporary cultural representation. Vulnerability is explored as a site of potential destruction, human as well as animal, but also as a site of potential openness. This is the first book to bring vulnerability studies into dialogue with media and genre studies. It is organised in four sections: 'Human/Animal'; Violence/Resistance'; 'Image/Narrative'; and 'Medium/Genre'. Each chapter considers the intersection of vulnerability and genre from a comparative perspective, bringing together a team of international contributors and editors. The book is in dialogue with the reflections of Judith Butler and others on vulnerability, and it questions categories of genre through an interdisciplinary engagement with different representational forms, including digital culture, graphic novels, video games, photography and TV series, in addition to novels and short stories. It offers new readings of high-profile contemporary authors of fiction including Margaret Atwood and Cormac McCarthy, as well as bringing lesser-known figures to the fore.
Anthropocene, post-humanism, biopolitics. These terms are often used first in an academic context before being used outside the academic world, once their usefulness has become known to the wider public. Whether in official policy documents, in catalogues of expositions or in applications for subsidies, these terms tend to show up regularly.0In this book, 50 terms that are important in contemporary cultural theory are explained by experts in the field. They clarify what the term means, how it is used in different contexts and which discussions the term has triggered. Some of these terms refer to political issues (surveillance, political theology, multitude), gender and queer studies (post-feminism, heteronormativity, intersectionality), media theory (convergence, algorithm) or the art world (curating, participation, performance).0This book functions as a compendium of key terms in contemporary cultural theory