Suchergebnisse

The article is devoted to the comprehension of the ideological and artistic searches of the forgotten poets of Western Belarus Petrus Hranit, Yulian Serhievich and Kastus Rahoysha, which were carried out within the framework of the leading lyrical and narrative artistic and stylistic current. The author reveals the involvement of the lyrical hero P. Hranit in the current problems of the West. Hranit's involvement in the actual problems of the West Belarusian reality, the acuteness of his social view, the characteristic assertiveness, immobilisation of the poet's poems, which revealed the objective nature of phenomena and processes, as a rule, connected with a specific chronotope, emphasises the variety of problem-thematic content, the elevation of the spiritual and moral world, the wide range of imaginative and stylistic pattern of Y. Serhievich's work, in which the Christian religious idea was organically combined with the motives of the struggle against injustice and oppression. The poetry of K. Rahoysha emphasises the synthesis of elements of narrative and problematic, analytical writing, which was characterised by the author's observation, the ability to notice and emphasise the individual, unique in phenomena and objects, to show them in movement and development.

The forgotten, insufficiently explored pages of West-Belarusian poetry in the 20s – 30s of the XX century and Yanka Bylina, Stanislau Stankevich, Ulad-Initsky's ideological and esthetic searches are analyzed in the article. The creative work of poets is seen in the context of acute socio-economic, spiritual and national problems and contradictions of reality, in line with the traditions of the leading, lyrical and narrative, style trends of national literature.The author notes the plot and novelistic nature of Y. Bylina's verses which were characterized by a quiet narrative tone, objectified imagery, S. Stankevich's i nclination t o t he s atirical a nd h umorous i dentification o f t he s ocial c ircumstances and the internal world of man, to the use of themes, motives and images of social and ethnographic fillings, underlines Ulad- Initsky's engagement in national patriotic issues, poet's appeal to symbolic imagery, etc.

The article analyzes the unknown poems of the West Belarusian poet, prose writer, publicist and artist Yanka Malanka (1895 – 1938). Considering the characteristic features of the creative personality of Ya. Malanka, the author notes the richness of the problem-thematic content, as well as the variety of genre-structural forms of the poet's works, who wrote not only poetry, but also sketches, stories, fairy tales, jokes, feuilletons, political ditties, etc. others. Sincerity and warmth presupposed in them a characteristic internal mobilization and tension were supplemented by an offensive logic of thinking, lyrical ridicule was intensified by the pathos of civic spirit and patriotism, as well as humorous-satirical revealing and exposure.The leading motives and images of Ya. Malanka's poetic creativity are revealed. At the same time, it is emphasized that a cheerful mood, categorical invectives, heightened emotionality were intensified in him by hyperbolized images and grotesque drawings. Ya. Malanka combined the accuracy of realistic reflection of phenomena and events with the peculiarities of the romantic elevation of the hero's aspirations and impulses, lyrical spontaneity and penetration were complemented by journalistic and satirical sharpness. Attention is drawn to a certain sketchiness of the word-image of the poet, "primitive accuracy" of his ideas and thoughts, roughness of style and linguistic constructions.