Suchergebnisse

The work is devoted to the study of the film music of one of the bright composers of the twentieth century, Alfred Garrievich Schnittke. The music scores of the composer for feature films, TV films and documentaries of major Russian film directors are in the center of attention. Among them there are E. Klimov, I. Talankin, A. Mikhalkov-Konchalovsky, Y. Karasik. In this work, the author used a "multi-step" principle of analysis: from the literary source and the actual director's revealing of the plot to the composer's music scores and music in the film, regarded as similar but not identical "texts".