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Cyber-warfare is often discussed, but rarely truly seen. When does an intrusion turn into an attack, and what does that entail? How do nations fold offensive cyber operations into their strategies? Operations against networks mostly occur to collect intelligence, in peacetime. Understanding the lifecycle and complexity of targeting adversary networks is key to doing so effectively in conflict. Rather than discussing the spectre of cyber war, Daniel Moore seeks to observe the spectrum of cyber operations. By piecing together operational case studies, military strategy and technical analysis, he shows that modern cyber operations are neither altogether unique, nor entirely novel. Offensive cyber operations are the latest incarnation of intangible warfare–conflict waged through non-physical means, such as the information space or the electromagnetic spectrum. Not all offensive operations are created equal. Some are slow-paced, clandestine infiltrations requiring discipline and patience for a big payoff; others are short-lived attacks meant to create temporary tactical disruptions. This book first seeks to understand the possibilities, before turning to look at some of the most prolific actors: the United States, Russia, China and Iran. Each has their own unique take, advantages and challenges when attacking networks for effect.

Cyber-warfare is often discussed, but rarely truly seen. When does an intrusion turn into an attack, and what does that entail? How do nations fold offensive cyber operations into their strategies? Operations against networks mostly occur to collect intelligence, in peacetime. Understanding the lifecycle and complexity of targeting adversary networks is key to doing so effectively in conflict. Rather than discussing the spectre of cyber war, Daniel Moore seeks to observe the spectrum of cyber operations. By piecing together operational case studies, military strategy and technical analysis, he shows that modern cyber operations are neither altogether unique, nor entirely novel.

This article addresses the attempts in Britain in the 1930s to integrate modernist aesthetics with the home. A number of initiatives during this period were directed towards improving both standards of living and the public's taste: arising from exposure to continental modernism (Adolf Loos, Le Corbusier) and with a fervent belief in the democratisation of the living space, innovators such as Wells Coates, Jack and Molly Pritchard, and Maxwell Fry sought to re-invent the home for the twentieth century. The results were often short-lived, and in some cases, abject failures. Yet the negotiations that these designers, architects, and visionaries made between high-minded aesthetics and the practicalities of quotidian British life reveal much about standards of taste during the 1930s. This article takes two case studies in detail: The Lawn Road Flats – the Isokon Building – in Hampstead, London, and the activities of the Design and Industries Association (DIA). In doing so, I chart the ways in which interior design developed in Britain during the decade before the outbreak of World War Two, and explore how small-scale, short-lived activities in this period laid the foundations for a flowering of new modes of living post-1945.

Aesthetics is the reflexive construction of the concepts necessary for the comprehension of the stakes and meaning of art in the light of the history of the dominant art of the second half of the 19th century and the first half of the 20th century: modernism. The task of aesthetics is to vindicate modernist art's own claim to mattering, to being significant, indeed unavoidable, for our collective selfunderstanding of ourselves as denizens of modernity. (J. M. Bernstein)