A closely observed account by someone working at senior level in the Met at the time. Deals with the biggest breakdown in community relations and law and order in modern English social and policing history. Looks at the entire sequence of events from their first rumblings to their aftermath and legacy. Published to coincide with the 30th anniversary of the tragic death of PC Blakelock
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Tony Moore shows how the area continually adapted to challenges that first began after the Empire Windrush arrived in England carrying immigrants who were initially met by signs saying 'No Coloured', but for whom Notting Hill became an area of choice.
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In the late eighteenth and nineteenth centuries the British Government banished their political enemies - viewed with the same alarm as today's 'terrorists' - to the shores of Australia. Criminals and traitors in the eyes of the law, many of these transported political prisoners were heroes and martyrs to their own communities. In Death or Liberty historian Tony Moore brings new life to their stories and restores them to their rightful place in Australian and world history
The Civil Contingencies Act 2004 modernised the UK's approach to disaster and emergency management, taking into account the kinds of threats the country faces in the 21st century, including terrorist threats and threats to the environment. This third edition of the Tolley's Handbook of Disaster and Emergency Managementhas been fully updated to cover the topics and themes reflected in the Act, and collates all the key components of disaster and emergency planning for both the public and the private sector, covering both man-made and natural disasters. Written from a UK practitioner's point of view, using case studies and examples, it helps readers to understand and formulate disaster and emergency policies and systems for their workplace. Its practical approach will help organizations to ensure business continuity and safeguard the health and safety of their staff in the event of a disaster. The new edition has been updated in line with the latest legislation: * Civil Contingencies Act 2004 * Amendment to the Control of Major Accident Hazards (COMAH) Regulations * Corporate Manslaughter Bill * Shows how to minimise the potential damage of disasters in the public and private sectors in all industries * Includes all the latest relevant UK legislation including the Civil Contingencies Act 2004 * Individual chapters written by leading practitioners in their field
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"Drawing on dozens of original interviews and close analysis of Australian examples sampled from across 40 years of "indie" music, comedy, film, computer games, and graphic design, Fringe to Famous explores how some of Australia's leading cultural practitioners negotiate their position between the margins and the mainstream in the contemporary period. Fringe to Famous critically re-examines the relations between "independent" and "mainstream" cultural production at a time when the very meaning and relevance of those terms is being widely debated. In recent decades, critically-aware artists and their entrepreneurial business partners have engaged in a playful negotiation of marginal and mainstream tastes, harnessing the values associated with the creative underground-transgression, independence, authenticity-for both aesthetic and commercial ends. At the same time, crises in the business models of commercial media industries and the proliferation of online distribution have made ?mainstream? increasingly difficult to define."--
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Cover -- Contents -- Acknowledgements -- Introduction: From art school to beer barn -- 1 Imagining hybridity: A history of the present -- 2 Subverting the high ground: The hybridity of punk and post-punk music in Australia -- 3 Subcultural design: Wearing our art on our sleeve -- 4 From fringe theatre to prime time: The case of comedy -- 5 Alternative visions: The Indigenous wave and Australian independent cinema -- 6 The fringe in Freeplay: The independence of independent games -- Conclusion: Designing osmotic ecologies -- References -- Index.
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A major gap in our understanding of the medieval economy concerns interest rates, especially relating to commercial credit. Although direct evidence about interest rates is scattered and anecdotal, there is much more surviving information about exchange rates. Since both contemporaries and historians have suggested that exchange and rechange transactions could be used to disguise the charging of interest in order to circumvent the usury prohibition, it should be possible to back out implied interest rates from exchange rates. The analysis presented in this article is based on a new dataset of medieval exchange rates collected from commercial correspondence in the archive of Francesco di Marco Datini of Prato, c. 1383–1411. It demonstrates that the time value of money was consistently incorporated into market exchange rates. Moreover, these implicit interest rates are broadly comparable to those received from other types of commercial loan and investment. Although on average profitable, the return on any individual exchange and rechange transaction did involve a degree of uncertainty that may have justified their non‐usurious nature. However, there were also practical reasons why medieval merchants may have used foreign exchange transactions as a means of extending credit.
This paper employs a unique, hand‐collected dataset of exchange rates for five major currencies (the lira of Barcelona, the pound sterling of England, the pond groot of Flanders, the florin of Florence and the livre tournois of France) to consider whether the law of one price and purchasing power parity held in Europe during the late fourteenth and early fifteenth centuries. Using single series and panel unit root and stationarity tests and cointegration analysis on 10 real exchange rates between 1383 and 1411, we show that the parity relationship held for the pound sterling and some of the Florentine florin series individually and for almost all of the groups that we investigate. Our findings add to the weight of evidence that trading and arbitrage activities stopped real exchange rates deviating permanently from fair values. This research extends the results reported in other studies back more than 600 years.
This article looks at an important but neglected aspect of medieval sovereign debt, namely 'accounts payable' owed by theCrown to merchants and employees. It focuses on the unusually well‐documented relationship betweenHenryIII,King ofEngland between 1216 and 1272, andFlemish merchants from the towns ofDouai andYpres, who provided cloth on credit to the royal wardrobe. From the surviving royal documents, we reconstruct the credit advanced to the royal wardrobe by the merchants ofYpres andDouai for each year between 1247 and 1270, together with the king's repayment history. The interactions between the king and the merchants are then analysed. The insights from this analysis are applied to the historical data to explain the trading decisions made by the merchants during this period, as well as why the strategies of theYprois sometimes differed from those of theDouaissiens.
The arts have rarely been at the heart of so many policy discussions in so many places at once. All over the world politicians and artists have been making a strong case for the social and commercial value of 'culture.' It is found in debates about education, industrial policy, criminal justice and community wellbeing. As 'creative industries,' it is part of international competitiveness and the future of our cities and towns, from Shanghai to Sheffield to Shepparton. Many practitioners and
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