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In: The collected works of George L. Mosse
A critical introduction / Victoria de Grazia -- The new politics -- The aesthetics of politics -- National monuments -- Public festivals: foundations and development -- Public festivals: the theatre and mass movements -- Organizations take a hand -- The worker's contribution -- Hitler's taste -- The political cult.
In: The collected works of George L. Mosse
Intro -- Contents -- Preface -- A Critical Introduction by Mary Louise Roberts -- 1. Introduction: Nationalism and Respectability -- 2. Manliness and Homosexuality -- 3. The Rediscovery of the Human Body -- 4. Friendship and Nationalism -- 5. What Kind of Woman? -- 6. War, Youth, and Beauty -- 7. Race and Sexuality: The Role of the Outsider -- 8. Fascism and Sexuality -- 9. Conclusion: Everyone's Morality -- Notes -- Index
Intro -- Contents -- List of Illustrations -- Acknowledgments -- A Critical Introduction by Christopher R. Browning -- Prologue: Affirmations and New Dimensions -- Introduction: The Meaning of Race -- Part I: The Beginning -- 1. Eighteenth-Century Foundations -- 2. From Science to Art: The Birth of Stereotypes -- 3. Nation, Language, and History -- 4. From Gobineau to de Lapouge -- Part II: The Penetration -- 5. Britain Lends a Hand -- 6. The Science of Race -- 7. The Mystery of Race -- 8. The Jews: Myth and Counter-Myth -- 9. Infected Christianity -- 10. The Rise of National Socialism
In: The Collected Works of George L. Mosse Ser
Intro -- Contents -- Acknowledgments -- Introduction to the 1999 Edition -- Critical Introduction by Roger Griffin -- 1. Toward a General Theory of Fascism -- 2. Fascist Aesthetics and Society -- 3. Racism and Nationalism -- 4. Fascism and the French Revolution -- 5. Fascism and the Intellectuals -- 6. The Occult Origins of National Socialism -- 7. Fascism and the Avant-Garde -- 8. Nazi Polemical Theater -- 9. On Homosexuality and French Fascism -- 10. Nazi Aesthetics: Beauty Without Sensuality and the Exhibition of Degenerate Art -- Notes -- Index