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Between Friends offers the first extended close reading of the most famous epistolary dialogue of the Renaissance, the letters exchanged from 1513 to 1515 by Niccolo Machiavelli and Francesco Vettori. John Najemy reveals the literary richness and theoretical tensions of the correspondence, the crucial importance of the dialogue with Vettori in Machiavelli's emergence as a writer and political theorist, and the close but complex relationship between the letters and Machiavelli's major works on politics. Unlike previous and mostly fragmentary treatments of the correspondence, this book reads the letters as a continuously developing, collaborative text in which problems of language and interpretation gradually emerge as the critical issues.Najemy argues that Vettori's skeptical reaction to Machiavelli's first letters on politics and provoked Machiavelli into a defense of language's power to represent the world, a notion that soon become the underlying assumption of The Prince. Later, and largely through an apparently whimsical exchange of letters on love and the foibles of eros, Vettori led Machiavelli to confront the power of desire in language, which opened the way for a different, essentially poetic, approach to writing about politics that surfaces for the first time in the pages of the Discourses on Livy.John M. Najemy is Professor of History at Cornell University. He is the author of Corporatism and Consensus in Florentine Electoral Politics, 1280-1400 (North Carolina).Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

"Niccolo Machiavelli (1469-1527) is the most famous and controversial figure in the history of political thought and one of the iconic names of the Renaissance. The Cambridge Companion to Machiavelli brings together sixteen original essays by leading experts, covering his life, his career in Florentine government, his reaction to the dramatic changes that affected Florence and Italy in his lifetime, and the most prominent themes of his thought, including the founding, evolution, and corruption of republics and principalities, class conflict, liberty, arms, religion, ethics, rhetoric, gender, and the Renaissance dialogue with antiquity. In his own time Machiavelli was recognized as an original thinker who provocatively challenged conventional wisdom."--Provided by publisher

Niccolò Machiavelli (1469–1527) is the most famous and controversial figure in the history of political thought and one of the iconic names of the Renaissance. The Cambridge Companion to Machiavelli brings together sixteen original essays by leading experts, covering his life, his career in Florentine government, his reaction to the dramatic changes that affected Florence and Italy in his lifetime, and the most prominent themes of his thought, including the founding, evolution, and corruption of republics and principalities, class conflict, liberty, arms, religion, ethics, rhetoric, gender, and the Renaissance dialogue with antiquity. In his own time Machiavelli was recognized as an original thinker who provocatively challenged conventional wisdom. With penetrating analyses of The Prince, Discourses on Livy, Art of War, Florentine Histories, and his plays and poetry, this book offers a vivid portrait of this extraordinary thinker as well as assessments of his place in Western thought since the Renaissance.

AbstractThis essay questions the seemingly laudatory judgment of Cesare Borgia in The Prince, chapter 7, by highlighting its emphasis on Borgia's dependence on the arms of others, which Machiavelli equates with "fortune." During their encounters in 1502–1503, Machiavelli became keenly aware of Borgia's dependence on his papal father, on France, and on mercenaries. The praise of the "foundations" Borgia allegedly laid to remedy this dependence (including a fantasized conquest of Tuscany) is not Machiavelli's own assessment but the voice of Borgia's self-dramatizing and self-deceiving exaggerations. Knowing the weakness behind Cesare's bravado, Machiavelli could not have considered him the model of the "new prince," still less of the "redeemer" invoked in chapter 26. On the contrary, Borgia is the negative model of the new prince who depends on the arms of others, inevitably fails, and blames fortune misconstrued as malicious fate.