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Preface -- Acknowledgments -- INTRODUCTION -- Structure of the research: Intercultural Dialogue, Places of Religion and Rituals -- THEORETICAL APPROACHES: CONSERVATION, REGENERATION, AND REUSE -- Calling 'values' by 'name'. Historical analysis and critical discernment for the interpretation and regeneration of underused religious heritage. - Europe's Living Religious Heritage: The process leading to FRH's biennial conference 2021 and its statement on Living Religious Heritage and Continuous Use -- Interreligious dialogues. First contacts of the Jewish community in the Kumamoto's prefecture (Japan) in the Kofun period -- Heritage Value of Religious Sites of Hinduism: Asian Linkages and Reuse for Cultural Regeneration -- Need of Ethical Guidelines in Community-Based Conservation Consultations of Living Religious Heritage: an Indian Perspective -- "Between the sword and the cross", religiosity in the Spanish colonial fortifications; case study Fortifications of San Juan, Puerto Rico -- Visualizing the Great Contemporary Religious Architecture in Latin America -- The legacy of Franciscan Observance convents in Portugal: overview of their reuse towards Sustainable Development -- NATIONAL LAWS, LOCAL RECOMMENDATIONS, AND LEGAL PROCEDURES -- Religious Monuments and Sites in Kosovo: Legal Framework approach on Reuse and Regeneration -- The role of Waqf for preserving the Religious Buildings and the Morphology of the Islamic city -- Legal criteria for the reuse of religious cultural heritage in Mexico -- The Temple of Santiago Apostle in Nurio (Michoacán, Mexico): Risk management as a resilience tool for the conservation of religious heritage -- PROJECTS AND BEST PRACTICES -- In Search of a Vanishing Heritage: The Documentation Project of Oratorian Missionary Churches in Sri Lanka -- Assessing the values for the comprehensive conservation of the Imam Reza Shrine -- Revitalization of the Religious Sites of Tombouctou (Mosques and Mausoleums Listed as UNESCO World Heritage) Post Terrorism and Covid Crisis -- Conservation, reuse and regeneration of religious cultural heritage: the case of the Archaeological Site of Panama Viejo and the Historic District of Panama -- The vicissitudes of heritage recognition and valuation: the case of Holy Week in Tunja (Colombia) -- The restoration and critical reconstruction of two historic mosques severely affected by armed conflict in Mosul (Iraq) -- The role of small religious landmarks today and tomorrow.

<p>La contemporaneidad es una categoría metodológica que se desarrolla y se remodela continuamente en el tiempo; esta costituye un enfoque complejo para una lectura dinámica de nuestro escenario social, político y cultural. La contribución propone una reflexión sobre el significado de la contemporaneidad y como este significado tiene una relación muy estrecha con todas las épocas en la cuales las comunidades se han expresado. Todo eso tiene un valor importante con el fin de intender que significa vincular esta palabra a la arquitectura, arte, tradiciones y politicas culturales.</p>

[ES] La contemporaneidad es una categoría metodológica que se desarrolla y se remodela continuamente en el tiempo; esta costituye un enfoque complejo para una lectura dinámica de nuestro escenario social, político y cultural. La contribución propone una reflexión sobre el significado de la contemporaneidad y como este significado tiene una relación muy estrecha con todas las épocas en la cuales las comunidades se han expresado. Todo eso tiene un valor importante con el fin de intender que significa vincular esta palabra a la arquitectura, arte, tradiciones y politicas culturales. ; [EN] Contemporaneity is a methodological category that is continuously developing and remodeling itself over time; it constitutes a complex approach to a dynamic reading of our social, political, and cultural scene. The contribution proposes a reflection on the meaning of contemporaneity and how this meaning has a close relationship with all the epochs in which communities have expressed themselves. All this has an important value to understand what it means to link this word with architecture, art, traditions, and cultural policies. ; Niglio, O. (2020). El tiempo de la contemporaneidad. Culturas. Revista de Gestión Cultural. 7(1):67-89. https://doi.org/10.4995/cs.2020.13695 ; OJS ; 67 ; 89 ; 7 ; 1 ; ACKROYD, Peter 2004. Albion. The origins of the English imagination, Vintage Books: London. ISBN: 978-0385497732 ; AGAMBEN, Giorgio, 2008, Cos'è il contemporaneo, Nottetempo: Milano. ISBN: 978-8874521357 ; BORGES, Jorge Luis, 2014, Finzioni, Einaudi: Torino. ISBN: 978-8806222024 ; BRAUDEL, Fernand, 1993, Civilisation, économie et capitalisme, XVe-XVIIIe siècle,: Le temps du monde, tome 3, LGF: Paris. ISBN: 978-2253064572 ; D'AGATA, Raffaele, 2003, Idee, potere e società. Dalla presa della Bastiglia alla caduta del Muro di Berlino, Rubettino Editore: Sila Piccola (Catanzaro). ISBN 978-8849806694 ; DE BIASE, Riccardo, 2017, Scritti contraffatti, I Farella: Napoli. ISBN: 978-8896265031 ; GRANDI, William (2010), Educazione, società e arte ...

Contemporaneity is a methodological category that is continuously developing and remodeling itself over time; it constitutes a complex approach to a dynamic reading of our social, political, and cultural scene. The contribution proposes a reflection on the meaning of contemporaneity and how this meaning has a close relationship with all the epochs in which communities have expressed themselves. All this has an important value to understand what it means to link this word with architecture, art, traditions, and cultural policies. ; La contemporaneidad es una categoría metodológica que se desarrolla y se remodela continuamente en el tiempo; esta costituye un enfoque complejo para una lectura dinámica de nuestro escenario social, político y cultural. La contribución propone una reflexión sobre el significado de la contemporaneidad y como este significado tiene una relación muy estrecha con todas las épocas en la cuales las comunidades se han expresado. Todo eso tiene un valor importante con el fin de intender que significa vincular esta palabra a la arquitectura, arte, tradiciones y politicas culturales.

La historia cultural, social y política de un lugar diseña la evolución de los territorios, el desarrollo de las comunidades y las transformaciones del paisaje; pero detrás de estas historias se ocultan los viajes de muchas personas que por diversas razones han tenido que abandonar sus hogares, sus ciudades para llegar a tierras lejanas. Estos son testimonios de abandono, de ruinas, de comunidades laceradas obligadas a seguir escribiendo su propia historia en otros lugares. En un mundo de gran revolución estas son reflexiones importantes que deben reflejar tanto la política como la arquitectura con el fin de buscar soluciones para el bienestar y el desarrollo de las comunidades de todo el mundo. Esta contribución pretende analizar una situación italiana que en las últimas décadas ha transformado fuertemente las economías locales, la vida de las comunidades y la historia de sus territorios y propone algunas reflexiones sobre posibles planos de manejo para los pueblos afectados por el abandono.

<p>Este artículo analiza el desarrollo de la política cultural en Italia desde las primeras experiencias del siglo XVI hasta principios del siglo XXI con la reforma institucional por el Ministro Darío Franceschini. En el país pre-unitario fueron muy importantes las contribuciones de los diferentes gobernadores locales que han impuesto políticas de conservación para evitar la dispersión de las obras de arte. Después de la unidad de Italia (1861) las leyes de tutela del patrimonio nacional han contribuido a encaminar importantes iniciativas que se han desarrollado concretamente sólo al final del siglo XX. Son grandes las novedades institucionales y normativas activadas en el siglo XXI, y en esta contribución proponemos algunoss importantes hechos de reflexión y de profundización.</p>

The culture of the architectural restoration in Colombia began to emerge in the second half of the twentieth century when the architect Carlos Arbeláez Camacho, professor at the Universidad Nacional de Colombia, had established the first courses of the history of Colombian art. In March of 1948 the Italian engineer Angiolo Mazzoni Del Grande had arrived in Colombia and at the same University he began before the courses of Composition and Planning and then the courses of history of building and history of architecture. In those years the political and social reality of Colombia was very complex and the culture of modernization had favored the demolition of many historic civil and religious buildings. In 1902 was born the Colombian Academy of History with the aim of protecting the cultural heritage since pre-Hispanic times until the nineteenth century, but it not had an operative value. With reference to these premises the paper intends to analyze the contribution by Angiolo Mazzoni Del Grande as professor at the Universidad Nacional de Colombia and as professional engaged in various restoration projects in the city of Bogotá. ; cultura de la restauración de la arquitectura en Colombia comenzó a manifestarse en la segunda mitad del siglo xx, cuando el arquitecto Carlos Arbeláez Camacho, profesor de la Universidad Nacional de Colombia, instituyó los primeros cursos de historia colombiana del arte. En marzo de 1948, llegó a la misma Universidad el ingeniero italiano Angiolo Mazzoni Del Grande para iniciar, en un primer momento, los cursos de Composición y Urbanismo y, luego, los cursos de Historia de las construcciones y de la arquitectura. La realidad política y social colombiana en aquellos años fue muy compleja y la cultura de la modernización había favorecido la demolición de muchos edificios históricos, tanto civiles como religiosas. En 1902 surgió la Academia Colombiana de Historia, con la finalidad de proteger el patrimonio cultural desde la época prehispánica hasta el siglo xx, pero no tuvo un valor ...

The culture of the architectural restoration in Colombia began to emerge in the second half of the twentieth century when the architect Carlos Arbeláez Camacho, professor at the Universidad Nacional de Colombia, had established the first courses of the history of Colombian art. In March of 1948 the Italian engineer Angiolo Mazzoni Del Grande had arrived in Colombia and at the same University he began before the courses of Composition and Planning and then the courses of history of building and history of architecture. In those years the political and social reality of Colombia was very complex and the culture of modernization had favored the demolition of many historic civil and religious buildings. In 1902 was born the Colombian Academy of History with the aim of protecting the cultural heritage since pre-Hispanic times until the nineteenth century, but it not had an operative value. With reference to these premises the paper intends to analyze the contribution by Angiolo Mazzoni Del Grande as professor at the Universidad Nacional de Colombia and as professional engaged in various restoration projects in the city of Bogotá.

The restoration of architecture in a nation is a project strictly connected to its culture, its society, as well as to the weather conditions and to its political and economic background. The contemporary culture, in particular, has developed an awareness of the fact that the main pur-pose of the conservation of monuments and landscape is not only protecting the matter of social well but also its intrinsic values, strongly connected to the sense of belonging to the place. The necessity of searching these values comes from the need of knowledge of the different cultural references that permit to man to direct his choices as concerns conservation and safeguard compared to popular areas of interest apparently of less importance but vivid from the cultural and social point of view. And this is the birth of the relationship between values and needs connected to the demand of transformation of urban and housing contexts. On these as-sumptions the book Twelve houses restored in Japan and Italy focuses on restoration projects of historical urban contexts, where the theme of living produced changes, influenced different intervention methods and functional choices without changing the sign of history. The book wants to introduce restoration projects comparing different cultural realities and architectonical methods that characterized the present situation in Italy and Japan. The experiences described in the book notice an interesting sharing among the different methods of restoration.

Background. The construction of a sacred space identifies a place where men realize a direct relationship with their God, qualifying this space as the absolute center of the existence, regardless of its location and its definition.In the sacred places, the geometric-dimensional relations, that define each space, are enriched with the temporal connotation, making more explicit the inseparable relationship between the architecture and the historical process (to stay erected in front of the history, following the more convincing anthropological meaning of the building action) with the material changes of the same architecture.Results. Then, each sacred place is the center (from which an axis is inevitably outlined) of a spatial dimension that is emancipated from pure physical conditions and it forces to involve tools of unusual analysis that fit the specificity of the use (in other words, the symbolic character).The sacred place assumes the role of an instrument of synthesis (of manifesto) that allows a vision of the world ables to build the dialogue among the cultures, overcoming the limits of the individual perspectives and fitting a community program based on the sharing of the Human Values.Conclusion. Given these premises, the paper reconsiders some studies of the history of the architecture that has given specific attention to the issue of the sacred place that is also seen as material and intangible space, where men meet their God, their self and the community. The contribution also analyzes experiences of realization of sacred spaces, between the second half of the nineteenth century and the first half of the twentieth, examining religious architecture in different geographic areas and with multiple cultures. These sacred spaces have often allowed overcoming the fracture caused by colonial politics, favoring the regeneration of the meaning of the sacred places.