Suchergebnisse

This volume centres on the literary activities emerging out of the north Indian publishing house Ganga Pustak Mala and its house periodical Sudha, a literary, social, political and illustrated monthly in the first half of the 20th century. Building on the defining work of Gérard Genette on paratexts as well as on scholarship on text-image relationships, this text charts the emergence and commercialisation as well as nationalisation of Hindi literary production in the city of Lucknow.

An in-depth study of Hindi women's periodicals in early 20th century north India, this volume investigates debates around gender roles, the politicisation of women, and language politics as they were presented to a primarily female audience during a period of social reform and heightened nationalist activism.

This article is embedded in discourses surrounding the new mobility of people as well as scientific, technological and socio-cultural changes in a late-colonial setting. It investigates how a number of prominent and less-known male authors from the centre and margins of the twentieth-century Hindi literary canon, including Rishabhcharan Jain, Shriyut 'Arun' and Durgadas Bhaskar, depict unconventional family constellations and human relationships that challenge normative conceptions of family, fatherhood, conjugality and blood bonds as well as gender roles and responsibilities. The short stories under investigation suggest that human relationships require constant negotiation and investigation of the meaning of kinship, caste, class and the human. In the process, we encounter adulterous husbands, strong wives and nurturing fathers' life struggles and tribulations. These short stories centre on husband–wife, man–mistress, wife–mistress and father–son relationships. Their male protagonists are authoritative towards their wives, caring towards their mistresses and nurturing towards children. At times, their self-sacrifice goes as far as to complete self-annihilation for the sake of the offspring, and, at other times, they lead double lives. Mothers are absent in these short stories. Instead, male protagonists claim parenthood and are ready to go as far as to abduct infants in order to perform fatherhood. I argue that parenting constellations and conjugality became negotiable for a number of factors that are addressed in my selection of Hindi short stories: (a) parenthood was not contingent upon biology (as stories on adoption and abduction suggest), (b) contraception was readily available to women and men (as promoted in periodicals of the time) and in the process also changing attitudes towards sexuality and conjugality, (c) abortion emerged as a medical option to undo a pregnancy emerging from an illicit love affair and (d) the new mobility enabled people to get around easily and frequently and even lead double lives. In addressing these factors, fiction published and circulated in periodicals offered novel imaginative and innovative spaces for the negotiation of family models once projected as normative in social reformist and nationalist discourses.

AbstractIn analysing a campaign launched by the Indian Tea Market Expansion Board in a Hindi literary periodical, this article seeks to read tea advertisements within the cultural history of gendered lives and nationalism in the decade leading up to Indian Independence. More specifically, it explores how multiple versions of feminized Indian modernity came to feature in the construction of black tea as a healthy, social, and national beverage. As the habit and custom of tea drinking was not common amongst the Indian population of the first half of the twentieth century, the advertisements focused on the creation of a culture of 'proper' tea preparation and 'correct' consumption. Not only did the middle-class woman and her family feature centrally in these advertisements; aristocratic and working women as well as movie actresses were all associated with the beverage drunk to reenergize and savour. While the advertisements addressed middle-class society and consciousness, this article argues that they did so by also drawing on, and not distancing from, diverse class, caste, and professional contexts.

The early twentieth century is a period in colonial Indian history marked, among other things, by nationalist explorations of what was commonly described as the upper middle‐class, Hindu high caste 'woman's question'. In the process, gender roles and responsibilities in public and private spheres were being contemplated and negotiated in oral and written forms. This essay explores the text‐image combinations and relationships in a mainstream Hindi literary periodical published in North India in the 1930s. It focuses specifically on the gendered visual narrative that emerged from this periodical's engagement with the role of women in the Hindi public and private spheres. It argues that through the combination of text and image, the reader of the Hindi periodical Sudha was presented with verbal and visual messages that were deeply embedded in debates on literary and cultural nationalism.

This article examines the Indian nationalist campaign against indentured labour emigration from British India in the early 20th century from a micro perspective, by exploring the interventions of the Prayag Mahila Samiti (Allahabad Women's Association). The proceedings of a conference organised by the women's organisation in 1917 reveal that its elite Indian women participants displayed sisterhood, patriotism and concern for emigrant male and female plantation workers in a manner that crossed the boundaries of gender, caste, class and the rural–urban divide. Their campaign operated within colonial civilising discourses while making use of middle-class nationalist idioms, claiming that the honour of Indians was threatened by the morally unrestrained and sexually exploited female labourers employed in plantation colonies. The campaign ultimately led to a petition to the Viceroy of India, Lord Chelmsford, marking it as the first instance of Indian women lobbying as political subjects.

"From the shaping of identities and belongings through to current reconfigurations of nation, governance and state under a Hindu-Right dispensation, this book tracks the sentiments and structures that sustain the nation and nationalism in India. Nation, Nationalism and the Public Sphere: Religious Politics in India provides wide-ranging accounts of the growth and transformations of the nation. It focuses especially on the intimate interplay of nation-state and nationalism with dominant religion. Drawing upon the perspectives of history, politics, anthropology, literature, film and media studies, this book explores key themes such as the appropriation and impact of western concepts of religion and the modern in postcolonial India and Pakistan, corporate bids to foster faith by erecting temples, formations of contemporary cosmopolitan religious imaginaries, the politics of cow protection, the rise of Narendra Modi as a national hero, and the fetish of the national in news channel debates. The book provides important insights into the success of the Hindu-Right, the discourse of religious-cultural nationalism, and their ramifications for democracy and citizenship"--