Proefschriftsamenvatting - Haunted by reality: Toward a feminist study of documentary film: indexicality, vision and the artifice. Utrecht, 2012; paperback; 225 pages
In: Tijdschrift voor genderstudies, Band 16, Heft 2, S. 89-90
ISSN: 2352-2437
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In: Tijdschrift voor genderstudies, Band 16, Heft 2, S. 89-90
ISSN: 2352-2437
Everyday Feminist Research Praxis: Doing Gender in The Netherlands offers a selection of previously unpublished work presented during the 2011, 2012 and 2013 Netherlands Research School of Gender Studies (NOG) conferences. Reflecting the wide spectrum of interdisciplinary gender studies, this volume is organised into four sections along four conceptual knots. These thematic entry-points are space/time, affectivity, public/private, and technological mediation. The central emphasis of this volu
Everyday Feminist Research Praxis: Doing Gender in The Netherlands offers a selection of previously unpublished work presented during the 2011, 2012 and 2013 Netherlands Research School of Gender Studies (NOG) conferences. Reflecting the wide spectrum of interdisciplinary gender studies, this volume is organized into four sections along four conceptual knots. These thematic entry-points are space/time, affectivity, public/private, and technological mediation. The central emphasis of this volume is twofold: first, the everyday is approached as a concretely grounded site of micro-political power struggles. Second, the contributors make explicit connections between theory and their everyday feminist research practices. As a whole, the interventions, ranging from fashion modeling, child-birthing discourses and digital documentaries, show how feminist research praxis remains crucial in critically disentangling naturalized routines of daily life, which in turn enables the scrutiny of, for example, the arbitrariness of entrenched power relations and contradictory, personal and collective, everyday trajectories. Everyday Feminist Research Praxis, thus, energizes possibilities for new forms of recognition, representation and redistribution of power
In: Feminist media studies, Band 17, Heft 4, S. 527-534
ISSN: 1471-5902
This volume focusses on the role of art, culture and politics in transitions and the struggle for social justice. Sometimes these transitions are traumatic and violent processes as in the case of post-apartheid South Africa. In other cases, as in Europe, they involve long-standing histories that are multi-directionally linked to colonialism, holocaust and totalitarianism. The authors explore intersectional issues of transition and social change in conjunction with broader debates on the role of democracy, citizenship and human rights. In doing so, they engage with the work of feminist scholar Rosemarie Buikema.