Search results

This article aims to analyze one of Mészáros' criticisms of Sartre, that is, the negative determination of totality. Starting from the distinction between real and unreal, we return to the discussion between the real and the imaginary and indicate a third element, the possible, as the texture of the real. The possible characterizes the real as a movement and denotes this as a totalization. Thus, always as process and possibility, the real and the total are understood according to the freedom of the subject.