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This article deals with our constructed notions of evil and how an historical appraisal takes shape after specific stories and narratives become important objects of public deliberation, historical criticism, and disclosive views of what constitutes the moral harms of human cruelty. I analyze the historical representations of the meaning of evil in specific historical times through narratives that have made important contributions to our historical understanding of them. I also propose that our learning from them is the result of public debates, of memory wars, and of important interventions from public intellectuals, writers, historians and witnesses. Therefore, deliberating about human cruelty is always a reconstructive effort to understand and judge what has happened and why it could have been prevented. The term evil is a moral filter that allows us to situate the kind of moral harm that needs a specific lens of moral understanding and a reconfiguration of actions that tie perpetrators to sufferers. Moral harms are better ways to describe the kind of actions that we call evil. The article highlights the relevance of language, disclosive views, criticism, public debate and the ways in which societies cope with their past in order to envision a different future.

Pornografía, feminismo y libertad

This innovative volume will be welcomed by moral and political philosophers, social scientists, and anyone who reflects seriously on the twentieth century's heavy burden of war, genocide, ethnic cleansing, and other evidence of people's desire to harm one another. María Pía Lara brings together a provocative set of essays that reexamine evil in the context of a "postmetaphysical" world, a world that no longer equates natural and human evil and no longer believes in an omnipotent God. The question of how and why God permits evil events to occur is replaced by the question of how and why humans perform radically evil acts

María Pía Lara is professor of philosophy at the Universidad Autónoma Metropolitana. She is also Co-director of the Prague Colloquium of Critical Theory. She has published essays and articles in International journals on Critical Theory, Politics, Ethics and Aesthetics, Feminism and Populism. She has written several books including: Moral Textures: Feminist Narratives in the Public Sphere (Los Angeles, Berkeley, San Diego: Polity Press, 1998 and Cambridge, England: Polity Press, 1998); Narrating Evil: A Post-metaphysical Theory of Reflexive Judgment (New York: Columbia University Press, 2007); The Disclosure of Politics: Struggles Over the Semantics of Secularization (New York: Columbia University Press, 2013); Beyond the Public Sphere: Film and the Feminist Imagination (Evanston, Chicago: Northwestern University Press, 2020 Forthcoming).