This comparative ethnography explores Islamic revival movements in France and India, home to the largest numbers of Muslim minorities in Western Europe and Asia. Parvez provides an in-depth view into how Muslims in two cities struggle to improve their lives as denigrated minorities, amid national crises of secular democracy.
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This article offers an example of a global approach to teaching the sociology of religion, a course that typically focuses on American religious phenomena. It builds on three interventions in the movement for a global sociology: connecting the local and global, moving beyond methodological nationalism, and developing an ethical orientation toward sociological questions. Such an approach encourages students to question taken-for-granted assumptions about religion and gain conceptual clarity. Specifically, the course goals are to challenge students' preconceptions about the global South as well as the global North and complicate and historicize the definition of religion. I describe class content and activities on five major themes, each carefully connected to globalization: defining religion, orthodox women, secularism, conversions and revivals, and violence. Assessment of student learning includes a compilation of student responses to final exam questions and their own final statements of what they learned.
AbstractThe traditional honoring of the birth of the Prophet Mohammed (Milad‐un‐Nabi) has shifted in numerous Indian cities from private prayer and ritual meals in the home to grand public festivals that bear resemblances to Hindu religious processions. In 2010 in the southern Indian city of Hyderabad, large‐scale Milad‐un‐Nabi festivals became implicated in Hindu–Muslim nationalist riots that erupted weeks later at the commencement of a Hindu festival for Hanuman Jayanthi. This paper explores the political production of Muslim ethno‐nationalism and the intra‐community debates over the legitimacy and piety of Milad‐un‐Nabi celebrations. It argues that Milad‐un‐Nabi as a public performance is a (re)invented tradition that is part of the struggle for material, political and symbolic goods of the nation‐state. It is shaped by local party politics and history of anti‐Muslim discrimination. However, as the festivals highlight community divisions and religious ambiguities, they ultimately reveal the fragility of ethnic groups.
Frontmatter -- Contents -- List of tables and figures -- 1. Introduction -- Part One. Laying foundations: national and local elections -- 2. Muslim political participation in Belgium: an exceptional political representation in Europe -- 3. Muslim political participation in Germany: a structurationist approach -- 4. Political opinions and participation among young Muslims in Sweden: a case study -- 5. Lithuanian Muslims' attitudes toward participation in the democratic political process: the case of converts -- 6. Political participation of European Muslims in France and the United Kingdom -- Part Two. Participation as integration -- 7. Muslim collective mobilisations in contemporary Europe: new issues and new types of involvement -- 8. How politically integrated are Danish Muslims? Evidence from the Muhammad cartoons controversy -- 9. Limits and potentialities of the Italian and British political systems through the lens of Muslim women in politics -- 10. Representing 'Islam of the banlieues': class and political participation among Muslims in France -- Part Three. Institutions as gateways -- 11. Creating the image of European Islam: the European Council for Fatwa and Research and Ireland -- 12. The political participation of Polish Muslim Tatars - the result of or the reason for integration? From Teutonic wars to the Danish cartoons affair -- 13. The Alevi quest in Europe through the redefinition of the Alevi movement: recognition and political participation, a case study of the FUAF in France -- 14. Leicester Muslims: citizenship, race and civil religion -- Part Four. Breaking the bounds -- 15. Muslims and electoral politics in Britain: the case of the Respect Party -- 16. Clichés are funny as long as they happen on stage: comedy as political criticism -- Notes on the contributors -- Index
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