Suchergebnisse

The article examines the theoretical analysis and importance of psychological correctional work with parents in relation to their own family role, their parents' attitude to the child, which includes such indicators as optimal emotional contact, emotional distance with the child and excessive concentration on the child in a preschool educational institution. This article shows the results of conducting a primary study in an experimental group using the PARI (parental attitude instrument) technique by authors E.S. Schaefer and R.K. Bell. This technique explores the indicators of the parent's attitude to his family role and the child that interest us. After the correctional program, a repeated study was conducted in the same experimental group; with the indicators of the primary and repeated studies, a comparative analysis was made for changes in the indicators of attitude to the family role and the child, where their qualitative change is observed. The authors of the PARI methodology point out that the study of the attitude to one's own role in family life and the attitude to the child are intended primarily for mothers. The article presents a brief description of the correctional program, with the help of which a corrective effect was made on the attitude to the family role and the child in mothers of preschoolers 3-7 years old.

The article discusses issues revealing cognitive bases of stative formatting of knowledge about the world. In line with Cognitive Linguistics commitments and basic assumptions the paper highlights the problems pertaining to 1) a universal ability of human cognition to construe the world in language statively, 2) the principles and results of stative interpretation of knowledge about the world. Conveying the necessity of investigating a set of stative forms in language within the cognitive linguistics perspective, the article introduces a conception of stative formatting of knowledge about the world. Combining cognitive-matrix analysis of the stative concept with conceptual-configurative analysis of the category of linguistic stativity the study deciphers the structure and contents of stative concept in contemporary English. The elaborated conception contributes to the problem of ascribing possible ways of construing the world in language

This article deals with the current state of development of two main categories of modern translation theory: "untranslatability" and "non-equivalence". Untranslatability belongs to translation-theoretic universals and is a binary category. The essence of the phenomenon, its nature, as well as such concepts as "translation losses", "untranslatable units", "translatological classification of text types" are considered. The differences in the meaning of the concepts "untranslatability" and "non-equivalence" are described. The article objective is to show actuality and pecularity of their manifistation in the context of the Russian and German languages.

The main aim of the article is to examine the grammatical and stylistic functions of the predicative attribute in the poetic work of Nekrasov. The study contributes to the general 'grammar of poetry', which has been proposed and developed by Roman Jakobson. The study shows that Nekrasov often used the predicative attribute and it constitutes one of the specific features of his style. Grammatically extended adjectival, participial and adverbial phrases, frequent in Nekrasov's poetry, cause additional predication, which makes it possible to expand the narrative. The predicative attribute often combines the functions of an attribute with those of the adverbial modifiers of cause and consequence, which gives additional impetus to the narrative plot development. The analysis shows that Nekrasov's style is characterized by nu­merous long repetitions of functionally similar grammatical elements, taking several lines. These repetitions often set the rhythm and determine the folklore character of his poems. Аttributive chains, paired formulas, synonymization of lexemes in chains, repetitions, in­strumental case in the meaning of comparison and metamorphosis can be found in classical pre-Nakrasov poetry as well. In Nekrasov's poems these features appear in a concentrated, condensed form; they can be considered only against the background of his work as a whole.