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Cover -- Half Title -- Dedication -- Title -- Copyright -- Contents -- List of figures -- List of contributors -- General Editor's preface -- Acknowledgements -- Introduction -- Part One Politics and the Parameters of Protest -- 1 Rock protest songs: so many and so few -- 2 The decline and rebirth of folk-protest music -- 3 Available rebels and folk authenticities: Michelle Shocked and Billy Bragg -- 4 The pop star as politician: from Belafonte to Bono, from creativity to conscience -- Part Two Monophony or Polyphony? -- 5 The future is history: hip-hop in the aftermath of (post)modernity -- 6 Everyday people: popular music, race and the articulation and formation of class identity in the United States -- 7 Gender as anomaly: women in rap -- Part Three The Problems of Place -- 8 Protest Music as 'ego-enhancement': reggae music, the Rastafarian movement and the re-examination of race and identity in Jamaica -- 9 'We have survived': popular music as a representation of Australian Aboriginal cultural loss and reclamation -- 10 The bleak country? The Black Country and the rhetoric of escape -- Part Four The Paradox of Anti-Social Protest -- 11 Communities of resistance: heavy metal as a reinvention of social technology -- 12 The handmade tale: cassette-tapes, authorship, and the privatization of the Pacific Northwest independent music scene -- 13 Gothic music and the decadent individual -- 14 Straight, narrow and dull: the failure of protest in straight edge rock 'n' roll -- Bibliography -- Discography -- Index