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Text accessible from: www.cairn.info/revue-l-homme-et-la-societe-2004-4-page-31.htm. National audience The commercially-motivated films of Louis de Funès reveal a ferocious scepticism and irony concerning social PRETENTIONS and abuse of power. In these films, by Funès plays undignified characters whose actions call into question subordination in all areas of life and in all social contexts. HE Develops a constant criticism of archical stuctures by caricaturing personalitiy types. French people, fortunough generally the object of Funès' criticisms, responding positive-because viewing these films acts as Catha ; Texte accessible à partir de l'adresse suivante : : www.cairn.info/revue-l-homme-et-la-societe-2004-4-page-31.htm. National audience The commercially motivated films of Louis de Funès reveal a ferocious scepticism and irony concerning social pretentions and abuses of power. In these films, de Funès plays undignified characters whose actions call into question subordination in all areas of life and in all social contexts. He develops a constant critique of hierarchical stuctures by caricaturing personalitiy types. French people, although generally the object of de Funès' criticisms, respond positively because viewing these films acts as catha