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Harm takes shape in and through what is suppressed, left out, or taken for granted. This book is a guide to understanding and uncovering what is left unsaid--whether concealed or silenced, presupposed or excluded. Drawing on a variety of real-world examples, narrative criminologist Lois Presser outlines how to determine what or who is excluded from textual materials. With strategies that can be added to the tool kits of social researchers and activists alike, Unsaid provides a richly layered approach to analyzing and dismantling the power structures that both create and arise from what goes without saying.

"Stories direct mass harm, including violence and less sensational affronts. This book explores the capacity of stories to motivate people to do harm and to tolerate the harm done by others. The book builds upon timely work in the field of narrative criminology, according to which stories promote or inhibit harmful action. It offers a sociological analysis of the emotional yet intersubjective experience of dangerous stories"--Provided by publisher

Criminologists are primarily concerned with the analysis of actions that violate existing laws. But a growing number have begun analyzing crimes as actions that inflict harm, regardless of the applicability of legal sanctions. Even as they question standard definitions of crime as law-breaking, scholars of crime have few theoretical frameworks with which to understand the etiology of harmful action. In Why We Harm, Lois Presser scrutinizes accounts of acts as diverse as genocide, environmental degradation, war, torture, terrorism, homicide, rape, and meat-eating in order to develop an original theoretical framework with which to consider harmful actions and their causes. In doing so, this timely book presents a general theory of harm, revealing the commonalities between actions that impose suffering and cause destruction. Harm is built on stories in which the targets of harm are reduced to one-dimensional characters—sometimes a dangerous foe, sometimes much more benign, but still a projection of our own concerns and interests. In our stories of harm, we are licensed to do the harmful deed and, at the same time, are powerless to act differently. Chapter by chapter, Presser examines statements made by perpetrators of a wide variety of harmful actions. Appearing vastly different from one another at first glance, Presser identifies the logics they share that motivate, legitimize, and sustain them. From that point, she maps out strategies for reducing harm

Self and story -- Offender identities, offender narratives -- Thinking about research effects -- Research methods when research is being researched -- Reform narratives : return of the good self -- Stability narratives : never a bad self -- Elastic narratives : creative integration -- Tales of heroic struggle -- The situated construction of narratives -- The power of stories

Abstract
Criminology is foundationally an applied discipline, or one whose knowledge seeks to shape some non-academic practice. Narratives – particularly the narratives of parties to 'crime' – are essential to criminology, but criminologists have hardly engaged with narratology. This paper tracks the progression from traditional narrative research involving harm agents and criminalized persons to a relatively new narrative criminology that is attentive to narrative forms and strategies inasmuch as it considers these as shaping harm. In addition, the paper forecasts narrative criminology's fruitful engagement in concepts from rhetorical narratology. Interviews with men who perpetrated violence and insights from restorative justice encounters are used to demonstrate the potential value of rhetorical narratological concepts to narrative criminology and to interventions informed by narrative criminology.

Explores the role of stories in criminal culture and justice systems around the world Stories are much more than a means of communication—stories help us shape our identities, make sense of the world, and mobilize others to action. In Narrative Criminology, prominent scholars from across the academy and around the world examine stories that animate offending. From an examination of how criminals understand certain types of crime to be less moral than others, to how violent offenders and drug users each come to understand or resist their identity as 'criminals', to how cultural narratives motivate genocidal action, the case studies in this book cover a wide array of crimes and justice systems throughout the world. The contributors uncover the narratives at the center of their essays through qualitative interviews, ethnographic fieldwork, and written archives, and they scrutinize narrative structure and meaning by analyzing genres, plots, metaphors, and other components of storytelling. In doing so, they reveal the cognitive, ideological, and institutional mechanisms by which narratives promote harmful action. Finally, they consider how offenders' narratives are linked to and emerge from those of conventional society or specific subcultures. Each chapter reveals important insights and elements for the development of a framework of narrative criminology as an important approach for understanding crime and criminal justice. An unprecedented and landmark collection, Narrative Criminology opens the door for an exciting new field of study on the role of stories in motivating and legitimizing harm

Stories are much more than a means of communication-stories help us shape our identities, make sense of the world, and mobilize others to action. In Narrative Criminology, prominent scholars from across the academy and around the world examine stories that animate offending. From an examination of how criminals understand certain types of crime to be less moral than others, to how violent offenders and drug users each come to understand or resist their identity as 'criminals', to how cultural narratives motivate genocidal action, the case studies in this book cover a wide array of crimes and justice systems throughout the world. The contributors uncover the narratives at the center of their essays through qualitative interviews, ethnographic fieldwork, and written archives, and they scrutinize narrative structure and meaning by analyzing genres, plots, metaphors, and other components of storytelling. In doing so, they reveal the cognitive, ideological, and institutional mechanisms by which narratives promote harmful action. Finally, they consider how offenders' narratives are linked to and emerge from those of conventional society or specific subcultures. Each chapter reveals important insights and elements for the development of a framework of narrative criminology as an important approach for understanding crime and criminal justice. An unprecedented and landmark collection, Narrative Criminology opens the door for an exciting new field of study on the role of stories in motivating and legitimizing harm. --

Recent approaches to battering are reviewed, & the potential of the restorative justice model in reducing domestic violence is evaluated. Battering cases have traditionally been approached through a legal mode, supported by feminists, & a mediation model, critiqued by feminists. The restorative justice model includes victim-offender mediation, but goes beyond mediation with other interventions (eg, family group conferencing & sentencing circles), & extends ownership of the crime problem into the community. Restorative justice interventions promise battering victims recognition, healing processes, community involvement, offender change, social norm consideration, & individual assistance. Cautions in applying restorative justice approaches to domestic violence are discussed. 97 References. M. Pflum