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Singapore's print media now presents frank and open discussions of sexuality, signalling what appears to be a liberating overhaul of the strict moral codes that have restricted media content for decades. The intensely competitive magazine market is leading the charge. This paper examines how magazines such as The Singapore Women's Weekly reframe discourses on sexuality to allow them to operate within Singapore's tightly controlled media system. Drawing from a Foucauldian approach to discourse and censorship, and broader themes of global capitalism and state rule, this paper contends that despite immense pressures to allow the print media and its wealth-generating advertisers a high degree of autonomy in terms of content, Singapore's sexual revolution operates within parameters set by a government keen to strike a balance between maintaining 'traditional' moral values and a more pragmatic approach toward sexuality centred, in part, on attempts to promote 'civic nationalism' and to arrest the declining birth-rate. (Asian J Commun/NIAS)

This article explores how, in times of crisis, Chinese journalism is still heavily influenced by the Maoist era in which the news media served as the mouthpiece for government propaganda. From the seasonal flooding of China's great rivers to international controversies such as the 2001 US Spy-Plane incident, China's state-controlled media has called upon a complex interweaving of Chinese 'values' incorporating them into a patriotic narrative of nation-building. In times of adversity these familiar narratives operate within conceptual frameworks that serve to mobilise the masses and, ultimately, present a positive outcome in which 'the enemy' (a foreign aggressor, corrupt official or Mother Nature) is defeated. China's struggle against its foes becomes embodied in the heroic actions of a select individual or group. This article proposes that despite indications of a move from ideology to profit, the Chinese media returns to such 'hero narratives' in emergencies as a deliberate and considered means of operationalising existing frameworks for the control of mass audiences.