Suchergebnisse

The work of the Guatemalan artist Regina José Galindo implies a reiterated denounce of gender violence in Latin America. In this text, we analyse the whole of her work, putting it into its historical context, and locating it in the realm of the political. ; El trabajo de la artista guatemalteca Regina José Galindo supone una denuncia reiterada de la violencia de género en América Latina. En el presente texto analizamos el conjunto de su obra, contextualizándola históricamente y situándola en el marco de lo político.

The Covid-19 pandemic has been expressed in various ways through visuality and performance, and some of its more nuanced cultural implications have taken place in a realm that goes beyond words. Through the exploration of the visual culture produced during and in response to the Covid-19 pandemic, The Pandemic Visual Regime: Visuality and Performativity in the Covid-19 Crisis highlights the key role played by images in shaping our understanding of the epochal transformations our society is undergoing.

This book argues that visuality and its relationships with the performative have played such a significant role in the Covid-19 pandemic that we can even speak of the emergence of a "pandemic visual regime," a new way of seeing and representing the world under this global emergency.

Through an interdisciplinary framework, The Pandemic Visual Regime aims to answer an array of questions: In which ways have the effects of the pandemic been racialized, thereby reinforcing white supremacy? How are our responses to Covid-19 shaped by the Hollywood "outbreak narrative" of films such as Contagion? How has design responded to our new pandemic needs? How have infographics affected our perception? In which new ways have we come to inhabit private, public, and virtual space? Regarding the latter, what changes have there been in the forms of digital surveillance? On the other side of the spectrum, what forms has mutual aid taken and what have been our forms of relating with nature, both during lockdown and after lockdown was over? All these questions open the field to rethinking the visuality of our post-pandemic zeitgeist.

Code is intended both as a computer-based language to program software and as a functional and visual language for organizing administrative processes, visualizing information, performing behaviour control, and reinforcing shared imaginaries based on surveillance and dread. This special issue of Digital Culture & Society deals with the concept of code in relation to the Covid-19 crisis. The contributions depart from the idea that both forms of coding have become dramatically intertwined during the pandemic and are structuring a new way of being in and seeing reality. They explore the new forms of data-driven surveillance and representation of the pandemic evolution at the level of real-time epidemiology, sensor technologies, science policies, push media, and the heterogeneous counter-discourses that try to subvert them

Pour les Dormeuses et les Méditateurs, l'anachronisme est placé au centre de leur discours artistique et de leur pratique vitale. En s'habillant en Grecs et en vivant en communauté à la périphérie de la ville, ils tentent d'incarner leur vision idéalisée de l'Antiquité. Par leur absence de fidélité historique, ils ouvraient également un espace d'expérimentation sociale. Ce texte soulève donc la possibilité d'utiliser l'anachronisme comme outil pour débloquer l'imagination politique et imaginer de nouveaux horizons collectifs.