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An intimate portrait of LA gang members turning to drugs, nostalgia, and religion as they age and fight to stay relevant in a new era. Once celebrated in the gang world as rebels who defied the established prison order, veterano Maravilla gang members now grapple with the consequences of leading violent and drug-ridden lives. At once thrilling and tender, The Marvelous Ones sheds light on how these aging gang members struggle to stay meaningful in the face of addiction, violent trauma, and a rapidly changing East Los Angeles. Randol Contreras spent close to a decade studying the legendary Maravilla gangs of East LA, who made waves in the 1990s for their rebellion against the most powerful prison gang in the United States: the Mexican Mafia, or La Eme. These men granted Contreras unique access to their experiences, revealing how family members shun them, how jail and prison worsen them, how the church and drug treatment redeem them, and how their brightest moments lie in their pasts as legends of the California gang world. The Marvelous Ones gives human faces to the suffering and resilience of some of the most marginalized members of our society.

An intimate portrait of LA gang members turning to drugs, nostalgia, and religion as they age and fight to stay relevant in a new era. Once celebrated in the gang world as rebels who defied the established prison order, veterano Maravilla gang members now grapple with the consequences of leading violent and drug-ridden lives. At once thrilling and tender, The Marvelous Ones sheds light on how these aging gang members struggle to stay meaningful in the face of addiction, violent trauma, and a rapidly changing East Los Angeles. Randol Contreras spent close to a decade studying the legendary Maravilla gangs of East LA, who made waves in the 1990s for their rebellion against the most powerful prison gang in the United States: the Mexican Mafia, or La Eme. These men granted Contreras unique access to their experiences, revealing how family members shun them, how jail and prison worsen them, how the church and drug treatment redeem them, and how their brightest moments lie in their pasts as legends of the California gang world. The Marvelous Ones gives human faces to the suffering and resilience of some of the most marginalized members of our society

"Randol Contreras came of age in the South Bronx during the 1980s, a time when the community was devastated by cuts in social services, a rise in arson and abandonment, and the rise of crack-cocaine. For this riveting book, he returns to the South Bronx with a sociological eye and provides an unprecedented insider's look at the workings of a group of Dominican drug robbers. Known on the streets as "Stickup Kids," these men raided and brutally tortured drug dealers storing large amounts of heroin, cocaine, marijuana, and cash. As a participant observer, Randol Contreras offers both a personal and theoretical account for the rise of the Stickup Kids and their violence. He mainly focuses on the lives of neighborhood friends, who went from being crack dealers to drug robbers once their lucrative crack market opportunities disappeared. The result is a stunning, vivid, on-the-ground ethnographic description of a drug robbery's violence, the drug market high life, the criminal life course, and the eventual pain and suffering experienced by the casualties of the Crack Era."--Publisher's website

"Randol Contreras came of age in the South Bronx during the 1980s, a time when the community was devastated by cuts in social services, a rise in arson and abandonment, and the rise of crack-cocaine. For this riveting book, he returns to the South Bronx with a sociological eye and provides an unprecedented insider's look at the workings of a group of Dominican drug robbers. Known on the streets as "Stickup Kids," these men raided and brutally tortured drug dealers storing large amounts of heroin, cocaine, marijuana, and cash. As a participant observer, Randol Contreras offers both a personal and theoretical account for the rise of the Stickup Kids and their violence. He mainly focuses on the lives of neighborhood friends, who went from being crack dealers to drug robbers once their lucrative crack market opportunities disappeared. The result is a stunning, vivid, on-the-ground ethnographic description of a drug robbery's violence, the drug market high life, the criminal life course, and the eventual pain and suffering experienced by the casualties of the Crack Era."--Publisher's website.

In the United States, some prison gangs control not only inmates, but also what happens on the street. Since most gang members eventually get detained and incarcerated, prison gangs will victimize or kill any resistors in jail and prison. In this paper, I examine such a case between the California prison gang, La Eme, and the rebel Maravilla gangs of East Los Angeles. La Eme controls almost all the Latino gangs in Southern California and enforces prison and street rules that "Southsider" gangs must follow. Between 1993 and 2006, the Maravilla gangs resisted La Eme's prison co-governance and then experienced a violence and victimization perhaps unrivaled in the gang world. Through field research on the Maravilla gangs, this paper reveals how some gangs defy prison co-governance, which then makes them feel meaningful in the gang world.

Randol Contreras' drug-robber respondents were not born criminals or torturers, so how did they become "stick-up kids"?

"Anhand eigener empirischer Forschungen thematisiert Randol Contreras die Bedeutung von Körperlichkeit für eine 'enaktive Ethnographie'. Er hat sich in verschiedenen Drogendealer- und Gangmilieus bewegt, stammt selbst aus der Süd-Bronx; vor dem Hintergrund dieser Erfahrungen hebt er hervor, wie maßgeblich das Erlernen des richtigen Habitus ist, um die Erfahrungswelt mit den untersuchten Personen zu teilen und ihren Erfahrungshorizont zu verstehen. Er fordert, diese körperlichen Erfahrungen stärker theoretisch zu reflektieren, und setzt die karnale Soziologie in Bezug zur Autoethnographie, wobei er beide jedoch deutlich unterscheidet." (Autorenreferat)