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"Presenting an ethnographic account of the emergence and application of critical political alternatives in the Global South, this book analyses the opportunities and challenges of decolonizing and transforming a modern, hierarchical and globally-immersed nation-state on the basis of indigenous terminologies.Alternative development paradigms that represent values including justice, pluralism, democracy and a sustainable relationship to nature tend to emerge in response to--and often opposed to--the neoliberal globalization. Through a focus on the empirical case of the notion of Vivir Bien ('Living Well') as a critical cultural and ecological paradigm, Ranta demonstrates how indigeneity--indigenous peoples' discourses, cultural ideas and worldviews--has become such a denominator in the construction of local political and policy alternatives. More widely, the author seeks to map conditions for, and the challenges of, radical political projects that aim to counteract neoliberal globalization and Western hegemony in defining development. This book will appeal to critical academic scholars, development practitioners and social activists aiming to come to grips with the complexity of processes of progressive social change in our contemporary global world."--Provided by publisher.

Presenting an ethnographic account of the emergence and application of critical political alternatives in the Global South, this book analyses the opportunities and challenges of decolonizing and transforming a modern, hierarchical and globally-immersed nation-state on the basis of indigenous terminologies. Alternative development paradigms that represent values including justice, pluralism, democracy and a sustainable relationship to nature tend to emerge in response to – and often opposed to – the neoliberal globalization. Through a focus on the empirical case of the notion of Vivir Bien ('Living Well') as a critical cultural and ecological paradigm, Ranta demonstrates how indigeneity – indigenous peoples' discourses, cultural ideas and worldviews – has become such a denominator in the construction of local political and policy alternatives. More widely, the author seeks to map conditions for, and the challenges of, radical political projects that aim to counteract neoliberal globalization and Western hegemony in defining development. This book will appeal to critical academic scholars, development practitioners and social activists aiming to come to grips with the complexity of processes of progressive social change in our contemporary global world.

Introduction. - Early Days. - The 'Wall-to-Wall' Coalition. - 'I don't know, I am looking for someone who does!'. - The Best Man in the Government. - Golda's Kitchenette. - The Grand Debate. - Hand Picked. - Submission to Gush Emunim. - Conclusion. - Epilogue

"This book examines Israel's relationship and political decision-making process towards the Occupied Territories from the aftermath of the Six Day War to the Labour Party's electoral defeat in 1977. The period represents the first decade of Israel's occupation of the Occupied Territories and the last decade in which the Labour Party was Israel's most dominant political force. Arguing that the successive Israeli governments headed by the Labour Party lacked a strategic policy towards the Occupied Territories to address the country's objectives and needs, this book demonstrates the detrimental effect this had on Israel, on the Middle East in general, and on the Palestinian people in particular. In addressing key aspects of decision making pathologies, this book raises issues which remain important features of Israeli politics today and an analysis relevant for political decision making worldwide"--

AbstractIn Bolivia, expectations for a decolonised society turned into a political crisis in the autumn of 2019. Discussing the limitations of progressive politics in cultivating democracy, this article identifies three narratives of authoritarianism – liberal democratic, developmentalist and colonial – which the opponents of Evo Morales use to frame their disillusionment with his rule. It argues that these multiple narratives lend meaning to contradictory experiences in a context in which hopes for a major decolonising state-transformation process have devolved into a deep polarisation of Bolivian society. The events in Bolivia are discussed in the context of rising authoritarianism throughout Latin America.

Within cognitive science, narratives are regarded as crucial and fundamental cognitive instruments or tools. As Roger Schank suggests, the identity of (sub-)cultures is to a considerable extent based upon the sharing of narrative structures (Schank. 1995. Tell me a story: Narrative and intelligence. Evanston, IL: Northwestern University Press.). According to Schank, culturally shared stories, as do many other stories, occur frequently in highly abbreviated form, as "skeleton stories" or "gists." Collective identities are conveyed in and between cultures not only through verbal discourse, but also by pictorial means. Many pictures and visual artworks have indeed been produced in order to establish and to consolidate a home-culture and to demarcate it from conceived extra-cultural counterparts.Some of my previous work on these lines has been concerned with demarcation efforts in visual media of "Jews" as extra-cultural, since the Middle Ages onwards, in the Third Reich's iconography, as well as in modern, radicalized forms of anti-Semitic picturing in Arab media (Ranta. 2016. The (pictorial) construction of collective identities in the Third Reich. Language and Semiotic Studies 2(3). 107–124, Ranta. 2017. Master narratives and the (pictorial) construction of otherness: Anti-semitic images in the Third Reich and beyond. Contemporary Aesthetics 15. https://contempaesthetics.org/newvolume/pages/article.php?articleID=765 (accessed 17 November 2019.). In building upon and extending this work, I shall focus in the current paper upon attempts of creating cultural and political cohesion by means of pictorial propaganda in post-war China from the early 1950's onwards, as promoted by the Chinese Communist Party (CCP) under the leadership by Mao Zedong. Some concrete pictorial examples indicating these attempts will be discussed from a narratological and cultural semiotic perspective.

AbstractThis article focusses on the future of food in the UK in the context of Brexit. It examines the claims and promises made by Brexiteers before the referendum and juxtaposes these with the approach pursued by the Conservative‐led government since. The article argues that there is a clear dissonance between the two. This dissonance is the result of two important factors. First, the government is stuck in a non‐decision‐making mode, making it unable to pursue clear policies. Second, the food claims and promises made by Brexiteers are in opposition to what the vast majority of the public, food experts, farmers and food businesses want. Through exploring these two factors, and the Brexiteers' claims and promises, the article explains what leaving the EU might mean for the future of food in the UK.

This title is published in Open Access with the support of the University of Helsinki. ; Presenting an ethnographic account of the emergence and application of critical political alternatives in the Global South, this book analyses the opportunities and challenges of decolonizing and transforming a modern, hierarchical and globally-immersed nation-state on the basis of indigenous terminologies. Alternative development paradigms that represent values including justice, pluralism, democracy and a sustainable relationship to nature tend to emerge in response to – and often opposed to – the neoliberal globalization. Through a focus on the empirical case of the notion of Vivir Bien ('Living Well') as a critical cultural and ecological paradigm, Ranta demonstrates how indigeneity – indigenous peoples' discourses, cultural ideas and worldviews – has become such a denominator in the construction of local political and policy alternatives. More widely, the author seeks to map conditions for, and the challenges of, radical political projects that aim to counteract neoliberal globalization and Western hegemony in defining development. This book will appeal to critical academic scholars, development practitioners and social activists aiming to come to grips with the complexity of processes of progressive social change in our contemporary global world.

Presenting an ethnographic account of the emergence and application of critical political alternatives in the Global South, this book analyses the opportunities and challenges of decolonizing and transforming a modern, hierarchical and globally-immersed nation-state on the basis of indigenous terminologies.Alternative development paradigms that represent values including justice, pluralism, democracy and a sustainable relationship to nature tend to emerge in response to – and often opposed to – the neoliberal globalization. Through a focus on the empirical case of the notion of Vivir Bien ('Living Well') as a critical cultural and ecological paradigm, Ranta demonstrates how indigeneity – indigenous peoples' discourses, cultural ideas and worldviews – has become such a denominator in the construction of local political and policy alternatives. More widely, the author seeks to map conditions for, and the challenges of, radical political projects that aim to counteract neoliberal globalization and Western hegemony in defining development. This book will appeal to critical academic scholars, development practitioners and social activists aiming to come to grips with the complexity of processes of progressive social change in our contemporary global world.

Collective identities of the Self vs. the Other are not only conveyed in and between cultures through verbal discourse, but also through pictures. Cultural encounters are often comprehended by storytelling, the verbal expression of which has been abundantly studied. Pictorial manifestations of narration, however, have received comparatively less attention. Mostly, narration has been associated with verbal discourses, where, briefly put, events or situations are temporally ordered. Even though the narrative capacity of pictures has been taken for granted by e.g. art historians, attempts to elucidate the semiotic and cognitive basis of visual narrativity, esp. in static pictures, have been relatively rare (cf. Ranta, 2013).Within cognitive science, narratives are regarded as crucial and fundamental cognitive instruments or tools (e. g. Bruner, 1990; Schank, 1995). As Roger Schank suggests, the identity of (sub-) cultures is to a considerable extent based upon the sharing of narrative structures. According to Schank, culturally shared stories—or stories in general—occur frequently in highly abbreviated form, as "skeleton stories" or "gists", not least in pictorial form. Moreover, in ways that correspond to Schank's account of storytelling and cognition, these may also have implications for conceptions of one's home-culture in relation to an alien-culture. Many pictures and visual artworks have indeed been produced in order to consolidate, modify, and demarcate certain cultural stances.In this paper, I shall focus upon one (and even today highly relevant) example of creating cultural identity, namely the racist confrontation of the "Aryans" vs. the Other (esp. Jews, but also Slavs and Romani) as promoted by National Socialist thinking and politics during the Third Reich in German history. Some concrete pictorial examples indicating these attempts will be discussed and analysed from a narratological and cognitive semiotic perspective.

Collective identities of the Self vs. the Other are not only conveyed in and between cultures through verbal discourse, but also through pictures. Cultural encounters are often comprehended by storytelling, the verbal expression of which has been abundantly studied. Pictorial manifestations of narration, however, have received comparatively less attention. Mostly, narration has been associated with verbal discourses, where, briefly put, events or situations are temporally ordered. Even though the narrative capacity of pictures has been taken for granted by e.g. art historians, attempts to elucidate the semiotic and cognitive basis of visual narrativity, esp. in static pictures, have been relatively rare (cf. Ranta, 2013).Within cognitive science, narratives are regarded as crucial and fundamental cognitive instruments or tools (e. g. Bruner, 1990; Schank, 1995). As Roger Schank suggests, the identity of (sub-) cultures is to a considerable extent based upon the sharing of narrative structures. According to Schank, culturally shared stories—or stories in general—occur frequently in highly abbreviated form, as "skeleton stories" or "gists", not least in pictorial form. Moreover, in ways that correspond to Schank's account of storytelling and cognition, these may also have implications for conceptions of one's home-culture in relation to an alien-culture. Many pictures and visual artworks have indeed been produced in order to consolidate, modify, and demarcate certain cultural stances.In this paper, I shall focus upon one (and even today highly relevant) example of creating cultural identity, namely the racist confrontation of the "Aryans" vs. the Other (esp. Jews, but also Slavs and Romani) as promoted by National Socialist thinking and politics during the Third Reich in German history. Some concrete pictorial examples indicating these attempts will be discussed and analysed from a narratological and cognitive semiotic perspective.