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International audience ; Dès 1929 l'idée fondamentale de "hors cadre", en tant que présence d'un espace extérieur, d'un dehors, à l'intérieur même du cadre (entendu ici à la fois comme "cadre" disciplinaire et "cadre"/photogramme), occupe une partie majeure de la réflexion théorique du réalisateur russe Sergueï Eisenstein autour du montage à la croisée des arts 1. Comme le souligne Raymonde Carasco dans son ouvrage sur le concept de "hors cadre" chez Eisenstein 2 , cette notion n'est pas tout à fait spécifique au cinéma. Eisenstein met l'idée de "hors cadre" au service d'un cinéma "extatique", un cinéma "hors-cinéma", toujours hors de son propre domaine particulier : « Ici se creuse l'inflexion du hors cadre comme tel-hors cinéma, littérature, autobiographie, théologie, politique, art 3. » À partir de l'idée de "montage conflictuel"-conçu à la fois comme « pensée qui naît du choc de deux morceaux indépendants l'un de l'autre », et comme « curieuse sublimation "en image" du principe dialectique » 4-, que l'on repère dans les quatre essais qu'Eisenstein rédigea au cours de 1929 5 , il est possible d'établir un lien entre la dynamique conflictuelle du montage et l'idée eisensteinienne de "hors cadre". Le principe du montage-pensé comme méthode dialectique d'exhibition et d'organisation de formes d'expression hétérogènes, ainsi que comme dispositif de compréhension qui préside aux règles de construction de l'oeuvre d'art, et qui dépasse le cadre cinématographique sous l'aspect historique et formel à la fois-peut être considéré comme un principe capable de déclencher un processus dynamique et conflictuel de mise en contact de différentes formes expressives, qu'il mène hors de soi-au-delà de leurs cadres 285 Au-delà du cadre Eisenstein et les carrés dynamiques
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International audience ; Dès 1929 l'idée fondamentale de "hors cadre", en tant que présence d'un espace extérieur, d'un dehors, à l'intérieur même du cadre (entendu ici à la fois comme "cadre" disciplinaire et "cadre"/photogramme), occupe une partie majeure de la réflexion théorique du réalisateur russe Sergueï Eisenstein autour du montage à la croisée des arts 1. Comme le souligne Raymonde Carasco dans son ouvrage sur le concept de "hors cadre" chez Eisenstein 2 , cette notion n'est pas tout à fait spécifique au cinéma. Eisenstein met l'idée de "hors cadre" au service d'un cinéma "extatique", un cinéma "hors-cinéma", toujours hors de son propre domaine particulier : « Ici se creuse l'inflexion du hors cadre comme tel-hors cinéma, littérature, autobiographie, théologie, politique, art 3. » À partir de l'idée de "montage conflictuel"-conçu à la fois comme « pensée qui naît du choc de deux morceaux indépendants l'un de l'autre », et comme « curieuse sublimation "en image" du principe dialectique » 4-, que l'on repère dans les quatre essais qu'Eisenstein rédigea au cours de 1929 5 , il est possible d'établir un lien entre la dynamique conflictuelle du montage et l'idée eisensteinienne de "hors cadre". Le principe du montage-pensé comme méthode dialectique d'exhibition et d'organisation de formes d'expression hétérogènes, ainsi que comme dispositif de compréhension qui préside aux règles de construction de l'oeuvre d'art, et qui dépasse le cadre cinématographique sous l'aspect historique et formel à la fois-peut être considéré comme un principe capable de déclencher un processus dynamique et conflictuel de mise en contact de différentes formes expressives, qu'il mène hors de soi-au-delà de leurs cadres 285 Au-delà du cadre Eisenstein et les carrés dynamiques
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International audience ; Eisenstein's Parisian time is crucial in helping us to understand certain fundamental aspects of his surrealist vision of Mexico, as well as to grasp the influence of his conceptualisation of the principle of 'intellectual and conflicting' montage within 'heterodox' surrealism. The dissident branch of surrealism was predominately represented by Georges Bataille and his journal Documents. 2 In response to André Breton's Second Surrealist Manifesto, published in December of 1929, 3 which directly criticised certain members of the movement, the 'expelled' surrealists (Jacques Baron, Jacques-André Boiffard, Georges Ribemont-Dessaignes, Robert Desnos, Georges Limbour, Michel Leiris, Jacques Prévert, Roger Vitrac, etc.) published on 15 January 1930 a pamphlet entitled A Corpse (Un cadavre). In his Memoirs, Eisenstein claims his proximity to the 'left democratic wing of Surrealists, which had broken away from the Breton faction. They were my friends.' 4 This leads us to identify a common method between Eisenstein and the dissident branch of surrealism, first and foremost through a convergent approach, i.e., said 'conflicting and dialectic montage'. 5 The convergent method was most effectively explained, on the one hand, through the concept of montage developed by Eisenstein in four essays written during the course of 1929 ('Beyond the Shot', 'Perspectives', 'The Dramaturgy of Film Form'
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International audience ; Eisenstein's Parisian time is crucial in helping us to understand certain fundamental aspects of his surrealist vision of Mexico, as well as to grasp the influence of his conceptualisation of the principle of 'intellectual and conflicting' montage within 'heterodox' surrealism. The dissident branch of surrealism was predominately represented by Georges Bataille and his journal Documents. 2 In response to André Breton's Second Surrealist Manifesto, published in December of 1929, 3 which directly criticised certain members of the movement, the 'expelled' surrealists (Jacques Baron, Jacques-André Boiffard, Georges Ribemont-Dessaignes, Robert Desnos, Georges Limbour, Michel Leiris, Jacques Prévert, Roger Vitrac, etc.) published on 15 January 1930 a pamphlet entitled A Corpse (Un cadavre). In his Memoirs, Eisenstein claims his proximity to the 'left democratic wing of Surrealists, which had broken away from the Breton faction. They were my friends.' 4 This leads us to identify a common method between Eisenstein and the dissident branch of surrealism, first and foremost through a convergent approach, i.e., said 'conflicting and dialectic montage'. 5 The convergent method was most effectively explained, on the one hand, through the concept of montage developed by Eisenstein in four essays written during the course of 1929 ('Beyond the Shot', 'Perspectives', 'The Dramaturgy of Film Form'
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International audience Eisenstein's Parisian time is crucial in helping us to understand certain fundamental aspects of his surrealist vision of Mexico, as well as to grasp the influence of his conceptualisation of the principle of 'intellectual and conflicting' montage within 'heterodox' surrealism. The dissident branch of surrealism was predominately represented by Georges Bataille and his journal Documents. 2 In response to André Breton's Second Surrealist Manifesto, published in December of 1929, 3 which directly criticised certain members of the movement, the 'expelled' surrealists (Jacques Baron, Jacques-André Boiffard, Georges Ribemont-Dessaignes, Robert Desnos, Georges Limbour, Michel Leiris, Jacques Prévert, Roger Vitrac, etc.) published on 15 January 1930 a pamphlet entitled A Corpse (Un cadavre). In his Memoirs, Eisenstein claims his proximity to the 'left democratic wing of Surrealists, which had broken away from the Breton faction. They were my friends.' 4 This leads us to identify a common method between Eisenstein and the dissident branch of surrealism, first and foremost through a convergent approach, i.e., said 'conflicting and dialectic montage'. 5 The convergent method was most effectively explained, on the one hand, through the concept of montage developed by Eisenstein in four essays written during the course of 1929 ('Beyond the Shot', 'Perspectives', 'The Dramaturgy of Film Form'
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According to the "Urban Health Rome Declaration" at European meeting "G7 Health" that defines the strategic aspects and actions to improve Public Health into the cities, and referring to the Agenda 2030 in which the 11th SDG argue about "Sustainable Cities and Communities. Make cities and human settlements inclusive, safe, resilient and sustainable", one of the most expressive syntheses of the challenging relationship between urban planning and Public Health is stated by WHO (2016): "Health is the precondition of urban sustainable development and the first priority for urban planners". Referring to the Healthy Cities & Urban Health definitions, we can consider Public Health not merely an aspect of health protection and promotion, but an individual and collective condition, strongly influenced by the environmental context and by the strategies implemented by local Governments. The "Health in All Policies" strategy, clearly underlines how health doesn't depend only on the supply of the healthcare services, but also, on the quality of outdoor and indoor living environments. Aim of the Presentation 3 is the share the findings of a literature review about the link between the urban contexts' morphological and functional features; the results are divided into: 14 Health Outcomes, representing the main Non-Communicable Diseases (NCDs) whose come from the urban environment's quality and by the adoption of healthy lifestyles; 8 types of Environmental Risk Factors (Urban Heat Island Effect; soil/air/acoustic/light pollution; vehicular traffic; Safety & Security; weak attractiveness of places); and 14 Healthy Urban Planning Strategies (green/blue/grey infrastructures; biodiversity protection; adverse meteoric events management; public transport systems; vehicular traffic reduction; pedestrian and cycling paths; social and functional mix; urban solid waste's management; renewable energy and efficiency; outdoor spaces lighting; Design for All).
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In: SpringerBriefs in Applied Sciences and Technology Ser
Intro -- Foreword -- Preface -- Contents -- Abbreviations -- 1 A New Challenge in Healthcare for India -- Abstract -- Rethinking the Healthcare in India -- The Indian Context -- The West Bengal Region -- References -- 2 The Current Indian Healthcare System and West Bengal's Health Status -- Abstract -- Indian National Health System -- Epidemiological Scenario and Health Criticisms -- Maternal and Child Health and Gender Issues -- Access to Improved Toilets and Wastewater -- Human Resources -- Health Status in West Bengal -- References -- 3 The Existing Indian NGOs' Scenario and the Local Actions in West Bengal -- Abstract -- The Indian NGOs' Scenario -- A Brief History Description of NGOs in India -- NGOs in West Bengal -- References -- 4 Design Approaches for a New Indian Healthcare -- Abstract -- Definition of the Factors Involved and Goals to be Achieved -- Environmental and Climatic Factors -- Social, Cultural and Typological Factors -- Construction-Technological Factors and Strategies -- Bamboo -- Mud -- Straw -- Steel -- Linoleum -- Lime -- Sum up -- References -- 5 Healthcare for All: A New Multidisciplinary Approach for Designing and Managing Hospital Layouts in India -- Abstract -- A Dimensional, Building Performance and Healthcare Services' Focus of IIMC' Healthcare Facilities for Understanding the Current Scenario -- Criteria of Settlement Development -- Identification of Main Flows and Paths -- Strategies for the Definition of the Urban Morphology -- The Module -- Functional Blocks and Aggregative Forms -- A First Level of Care: Urban/Receptive Block -- A Second Level of Care: The Outdoor Sanitary Block -- A Third Level of Care: Indoor Sanitary Block -- Energy Community Centre -- Development of a Masterplan Meta-Project for a New Healthcare Scenario -- Management Model -- Considerations and Perspectives -- References
The 5G PPP project NRG-5 aims at enabling the deployment, operation and management of new 5G communication infrastructure, targeting the energy vertical (in the context of the Smart Energy-as-a-Service), providing security, resilience and high availability mechanisms, and validating the approach via smart energy use cases. One key concept arising from NRG-5 is that it tries to adopt and extend relevant concepts and designs from other H2020 and 5G PPP projects, when appropriate for the design and implementation of its architecture. In this paper, we consider specific H2020 projects in order to explore the potential synergies and to improve the global 5G ecosystem. Initially, the paper provides a brief introduction to the approach followed by NRG-5. Then, the paper identifies the synergies with the solutions coming from other projects, making the link with 5GCity and 5G ESSENCE. ; This work is part of the NRG-5 project which has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 762013.
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Accessibility is often translated in design practice by means of a prescriptive approach, focusing on legislation's application, instead of understanding the real needs and wishes of users. On the contrary, the descriptive and performance-based approach of Design for All can help architects in designing inclusive environments. Therefore, it is fundamental to translate the existing theory into information that meets the architects' needs to link knowledge and practice. This study focuses on methods to inspire and support architects applying a Design for All strategy by gathering information and advice. In particular, the paper demonstrates a literature review to identify how to transfer design guidelines to architects. Based on the analysis of the included papers, four criteria were defined to translate Design for All information from users' needs into design indications for architects in a descriptive way. The current results will provide the basis for developing a tool to inspire and create awareness for architects on Design for All in architectural practice.
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Accessibility is often translated in design practice by means of aprescriptive approach, focusing on legislation's application, instead of understanding the real needs and wishes of users. On the contrary, the descriptive and performance-based approach of Design for All can help architects in designing inclusive environments. Therefore, it is fundamental to translate the existing knowledge into information that meets the architects' needs to link knowledge and practice. This study focuses on methods to inspire and support architects applying a Design for All strategy by gathering information and advice. In particular, the paper demonstrates a literature review to identify how to transfer design information to architects. Based on the analysis of the included papers, four criteria were defined to translate Design for All information from users' needs into design strategies for architects in a descriptive way. The current results will provide the basis for developing a tool to inspire and create awareness for architects on Design for All in architectural practice. ; Peer Reviewed
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Accessibility is often translated in design practice by means of a prescriptive approach, focusing on legislation's application, instead of understanding the real needs and wishes of users. On the contrary, the descriptive and performance-based approach of Design for All can help architects in designing inclusive environments. Therefore, it is fundamental to translate the existing theory into information that meets the architects' needs to link knowledge and practice. This study focuses on methods to inspire and support architects applying a Design for All strategy by gathering information and advice. In particular, the paper demonstrates a literature review to identify how to transfer design guidelines to architects. Based on the analysis of the included papers, four criteria were defined to translate Design for All information from users' needs into design indications for architects in a descriptive way. The current results will provide the basis for developing a tool to inspire and create awareness for architects on Design for All in architectural practice.
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Accessibility is often translated in design practice by means of aprescriptive approach, focusing on legislation's application, instead of understanding the real needs and wishes of users. On the contrary, the descriptive and performance-based approach of Design for All can help architects in designing inclusive environments. Therefore, it is fundamental to translate the existing knowledge into information that meets the architects' needs to link knowledge and practice. This study focuses on methods to inspire and support architects applying a Design for All strategy by gathering information and advice. In particular, the paper demonstrates a literature review to identify how to transfer design information to architects. Based on the analysis of the included papers, four criteria were defined to translate Design for All information from users' needs into design strategies for architects in a descriptive way. The current results will provide the basis for developing a tool to inspire and create awareness for architects on Design for All in architectural practice. ; Peer Reviewed
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AbstractIntroduction: WHO highlighted the need to strengthen the relationship between health and built environment; in particular, environmental factors and inadequate housing conditions are the most harmful risk factors for NCDs. Local Health Rules (LHRs) and Building Codes (BCs) are useful tools to provide safety and hygiene in building construction. The paper presents a survey on the adoption and updating of LHRs and BCs in Italian municipalities. Methodology: The survey analyses the state-of-the-art of LHRs, BCs and Municipal Development Plans (MDPs) on a sample of 553 cities, with different demographic and geographic characteristics from each other. Results: the survey highlights the serious shortage of updated LHRs, especially in small and medium municipalities. Instead, BCs and MDPs are much more current and updated, but only 30% of them are previously validated by Local Health Authorities. Conclusion: According to the analysis, it is necessary to introduce ever more performance guidelines, instead of prescriptive rules. The Government is taking steps to give rise to a National Building Code guidelines and this initiative could also be expanded to invest LHRs' issues.
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Introduction. WHO has highlighted the need to strengthen the relationship between health and built environment factors, such as inappropriate housing conditions. Local Health Rules (LHRs) and Building Regulations (BRs) are tools which provide safety and building hygiene in construction practices. Currently the Italian Government is considering to establish a National Building Regulation and, related to the following purpose, this paper presents a survey on the status of adoption and updating of LHRs and BRs in Italian municipalities. Methodology. The current Italian state of LHRs, BRs and Municipal Development Plans (MDPs) have been examined by a survey considering a sample of about 550 cities, with different demographic and geographic features, starting from the previous research work by Signorelli et al. (1999). Results. The analysis underlines a serious shortage of updated LHRs, especially in small and medium-sized municipalities whereas BRs and MDPs are widespread. Only 30% of them are previously approved and validated by Local Health Authorities. Conclusion. Starting from a survey, the present scenario of Building Regulations requires the introduction of further performance guidelines instead of normative ones and, therefore, the current actions to give rise to a National Building Regulation could be integrated by building hygiene contents of LHRs.
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