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Abstract
Based on archival research, this essay traces the travels and transformations in a little known, religious flap book The Beginning, Progress and End of Man, circulating as both a published and home-produced text for around two hundred years. Composed as a strip with flaps that could be turned up or down either with or against the grain of the narrative, it contains simple rhymes with crude woodcut images. Directed to a wide audience, including children, it was first published in England during the Civil War, and occasionally re-published in the eighteenth and early nineteenth centuries. In the late eighteenth century it traveled to America, was reworked into a book format and repurposed as a literacy text for a gendered child audience. It continued to be published for another hundred years. In both counties children made their own versions as domestic activities.

Never before has so much popular culture been produced about what it means to be a girl in today's society. From the first appearance of Nancy Drew in 1930, to Seventeen magazine in 1944 to the emergence of Bratz dolls in 2001, girl culture has been increasingly linked to popular culture and an escalating of commodities directed towards girls of all ages. Editors Claudia A. Mitchell and Jacqueline Reid-Walsh investigate the increasingly complex relationships, struggles, obsessions, and idols of American tween and teen girls who are growing up faster today than ever before.||From pre-school to