Suchergebnisse

Introduction-version française -- Note sur la transcription -- Prélude: enquête autour d'un tapuscrit retrouvé / Elara Bertho -- Sur les traces de Djiguiba Camara: introduction au tapuscrit "Essai d'histoirelocale" / Elara Bertho et Marie Rodet -- "Essai d'histoire locale"-version française -- Introduction-English version -- A note on transcription -- Foreword: investigating a found typescript / Elara Bertho -- In the footsteps of Djiguiba Camara: an introduction to the typescript of "Essai d'histoire locale" / Elara Bertho and Marie Rodet -- "Essai d"histoire locale"-English version.

Dans Essai d'histoire locale, Djiguiba Camara, un intermédiaire colonial et un interprète, décrit l'histoire de la Haute Guinée, de l'empire de Samori Touré et des résistances anticoloniales. In Essay on Local History, Djiguiba Camara, a colonial intermediary and interpreter, describes the history of Upper Guinea, with emphasis on the Empire of Samori Touré and of anticolonial local resistance.; Readership: Toute personne intéressée par l'histoire africaine, l'histoire de la Guinée à l'époque coloniale, les mouvements de résistance anticoloniale, et plus généralement toute personne intéressée par la production du savoir local historique en Afrique, et l'historiographie de l'histoire coloniale française All interested in African history, the history of Guinea under colonial rule, anticolonial resistance, and anyone concerned with local historical knowledge production in Africa, historiography of French colonial history

In recent years, anthropologists, historians, and others have been drawn to study the profuse and creative usages of digital media by religious movements. At the same time, scholars of Christian Africa have long been concerned with the history of textual culture, the politics of Bible translation, and the status of the vernacular in Christianity

In recent years, anthropologists, historians, and others have been drawn to study the profuse and creative usages of digital media by religious movements. At the same time, scholars of Christian Africa have long been concerned with the history of textual culture, the politics of Bible translation, and the status of the vernacular in Christianity. Students of Islam in Africa have similarly examined politics of knowledge, the transmission of learning in written form, and the influence of new media. Until now, however, these arenas--Christianity and Islam, digital media and "old" media--have been studied separately. Religion, Media, and Marginality in Modern Africa is one of the first volumes to put new media and old media into significant conversation with one another, and also offers a rare comparison between Christianity and Islam in Africa. The contributors find many previously unacknowledged correspondences among different media and between the two faiths. In the process they challenge the technological determinism--the notion that certain types of media generate particular forms of religious expression--that haunts many studies. In evaluating how media usage and religious commitment intersect in the social, cultural, and political landscapes of modern Africa, this collection will contribute to the development of new paradigms for media and religious studies.--Publisher's summary

Ce volume reflète l'extraordinaire essor pris ces dernières années par l'histoire des femmes en situation coloniale. Onze contributions, concernant des territoires coloniaux divers, portant sur les XIXe et XXe siècles, abordent, à travers des aspects historiques, littéraires, sociologiques ou politiques, des questions fondamentales pour cerner « le sexe » de la colonisation et de la décolonisation. Elles nous montrent combien, dans les deux processus, les rapports de genre, de classe et de race s'imbriquent dans les discours et dans les faits. La richesse des approches et des problématiques démontre, s'il le fallait, la pertinence de l'outil « genre » dans l'analyse des impérialismes.