Suchergebnisse

How do creative workers draw on their city context as they interpret their subjective career success over time? This article aims to answer this question with a qualitative study of 140 creative workers in Reggio Emilia, Italy. The results illuminate how subjective career success stems from a need for recognition that draws on a city's identity. Mobilising Lotman's concept of semiosphere, we propose that creative workers use city identity to understand what 'soft' factors they can harness from the city context. They filter city identity based on three recognition-related needs that are contingent on their level of work experience. Our contribution is threefold. First, we provide a nuanced view of the social and symbolic context in which careers are embedded, highlighting its multilayered, multivocal and multimodal nature. Second, we provide a fine-grained understanding of the interplay between an individual's career need for recognition and their interpretation of city identity. Third, we shed light on recognition as a facet of subjective career success, which is particularly relevant to creative workers.

Artistic labour markets present some features that can be considered paradigmatic of work in the contemporary gig economy. Extant literature identified these features by focusing on how artists can be deemed exemplars of new and more flexible ways of organising a workforce. While studies examined workers' conditions in contemporary economy, the literature on artistic work has not delved into the role of space in artist's work experience. Thus, this study aims to look at how space can be harnessed by artistic workers to respond to the most pressing needs they express. To this end, the paper presents the results of a qualitative study conducted on young artistic workers in the city of Reggio Emilia. The authors propose three mechanisms (anchoring, framing, belonging) through which space can serve as a personal compass that helps mitigate the effects of the precariousness of work.