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Riscoprire il coraggio antico nel quotidiano contemporaneo
In: La società degli individui: quadrimestrale di teoria sociale e storia delle idee, Heft 71, S. 101-111
ISSN: 1590-7031
Does public R&D funding crowd-in private R&D investment? Evidence from military R&D expenditures for US states
In: Research policy: policy, management and economic studies of science, technology and innovation, Band 52, Heft 8, S. 104807
ISSN: 1873-7625
Does mission-oriented funding stimulate private R&D? Evidence from military R&D for US states
US military Research and Development (R&D) expenditures arguably represent the best example of mission-oriented policy. They are sizeable, with a clear-cut public purpose (national defense) and with the government being their exclusive beneficiary. Exploiting a longitudinal dataset linking public R&D obligations to private R&D expenditures for US states, we investigate the impact of defense R&D on privately-financed R&D. To address potential endogeneity in the allocation of funds, we use an instrumental variable identification strategy leveraging the differential exposure of US states to national shocks in federal military R&D. We document considerable "crowding-in" effects with elasticities in the 0.11-0.14 range. These positive effects extend also to the labor market, when focusing on employment in selected R&D intensive industries and especially for engineers.
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Endogenous growth and global divergence in a multi-country agent-based model
In: Journal of economic dynamics & control, Band 101, S. 101-129
ISSN: 0165-1889
SSRN
Working paper
Publication on impact of copyright law and perception on demand for cultural goods and services
This deliverable is an academic paper published in the LEM (Laboratory of Economics and Management) working paper series from the Institute of Economics at Scuola Superiore Sant'Anna, entitled 'Digitalization, copyright and innovation in the creative industries: an agent-based model'. ABSTRACT: The ambiguity of the empirical results on the relationship between copyright and creativity calls for a better theoretical understanding of the issue, possibly enlarging the analysis to other factors such as technology and copyright enforcement. This paper addresses these complex policy issues by developing an agent-based model (ABM) to study how the interplay between digitization and copyright enforcement affects the production and access to cultural goods. The model includes creators who compete in different submarkets and invest in activities that might lead to the generation of creative outputs in existing submarkets, new (to the creators) submarkets, or in newly "invented" submarkets. Finally, the model features a copyright system that provides creators with the exclusive right to reproduce their original copies and a pirate market responsible for creating and distributing pirated copies. This project has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No. 870626
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