Homenaje a Alberto Medina Rojas
In: Revista chilena de antropología, Band 0, Heft 9
ISSN: 0719-1472
22 Ergebnisse
Sortierung:
In: Revista chilena de antropología, Band 0, Heft 9
ISSN: 0719-1472
In: Apuntes / Centro de Investigación de la Universidad del Pacífico: revista de ciencias sociales, Heft 12, S. 3-17
ISSN: 2223-1757
In: Apuntes / Centro de Investigación de la Universidad del Pacífico: revista de ciencias sociales, Band 7, Heft 12, S. 3-17
ISSN: 0252-1865
In: American anthropologist: AA, Band 67, Heft 3, S. 798-799
ISSN: 1548-1433
In: American anthropologist: AA, Band 58, Heft 3, S. 584-584
ISSN: 1548-1433
In: Serie: antropología social 8
In: Current anthropology, Band 29, Heft 5, S. 768-775
ISSN: 1537-5382
In: Journal of Interamerican studies and world affairs, Band 18, Heft 4, S. 505-515
ISSN: 2162-2736
In: Journal of Interamerican studies and world affairs, Band 17, Heft 1, S. 109-116
ISSN: 2162-2736
In: American anthropologist: AA, Band 72, Heft 2, S. 446-446
ISSN: 1548-1433
In: Latin American research review: LARR ; the journal of the Latin American Studies Association (LASA), Band 4, Heft 3, S. 3
ISSN: 0023-8791
In: Latin American research review, Band 4, Heft 3, S. 3-8
ISSN: 1542-4278
In: American anthropologist: AA, Band 70, Heft 4, S. 824-824
ISSN: 1548-1433
In: Latin American research review: LARR ; the journal of the Latin American Studies Association (LASA), Band 1, Heft 3, S. 91
ISSN: 0023-8791
In: Latin American research review, Band 1, Heft 3, S. 91-104
ISSN: 1542-4278
Most latinamericanists will be interested and some fascinated by the aesthetic import of this epoch-making exhibit, jointly organized and presented by the Yale University Art Gallery and the University of Texas Art Museum. The purpose of this brief statement is to indicate some of its more important repercussions on the social scientist and historian which have potential research value. The first and obvious value lies in the fact that the catalogue presents in one compact volume all of the outstanding stylistic developments in painting, and to a lesser extent in architecture and engraving, from early Independence times to the present day. From a purely documentary point of view, excepting the few authentic, extant architectural remains, painting is the only medium that gives visual expression to the developments in the first half of the 19th century; so that the exhibition provides a basic research tool towards determining what the graphic representation of the socio-political developments of the period were. Even for the later nineteenth and twentieth centuries, this concentrated panorama supplies us with representative perceptions of how Latin Americans conceptualized themselves and their cultural traditions. We base our remarks on the paintings themselves and on an excellent representative catalogue. Catlin, director of the exhibit, with his collaborators (Grieder, Davidson, Deredita, and Faulhaber) will soon begin work on a scholarly volume which will interrelate the aesthetic developments with the social, economic and political developments of Latin American history in a thoroughgoing study.