Suchergebnisse

Humor ist ein komplexes kommunikatives Phänomen, für dessen Untersuchung das Zusammenwirken mehrerer Forschungsgebiete nötig ist. Der multidisziplinäre Ansatz verfolgt das Ziel, Formen und Funktionen von Humor in zwischenmenschlicher und gesellschaftlicher Interaktion aus der Perspektive verschiedener Kulturwissenschaften zu beleuchten. Der Band spannt somit anhand von Fallbeispielen und theoretischen Modellen den Bogen von der Sprach- und Literaturwissenschaft über die Fachdidaktik und Pädagogik bis hin zur Geschichtswissenschaft.

AbstractSince presidential primary debates in US election campaigns serve the function of identifying the most promising nominee for the subsequent presidency, they constitute a highly adversarial multilogue. Debaters do not only exchange factual arguments but also use diverse forms of impoliteness geared towards damaging the public image of political opponents and persuading audiences to vote accordingly. Combining political discourse analysis with pragmatic approaches to impoliteness, this paper examines the ways in which verbal aggression in debates inflicts damage on the addressee's positive and negative face. On the basis of five Democratic and five Republican debates from 2016, it is shown that impolite utterances fulfil the four central strategic functions of (a) delegitimization, (b) coercion, (c) entertainment, and (d) (self-)defence, all of which support the macro-function of political persuasion through the construction of personal preferability.

Cognitive categorization is an indispensable instrument for organizing human experience. Owing to the obvious appeal of clear-cut categories in ideological discourse, polarization frequently serves as a strategy of political persuasion. The success of such rhetoric corroborates the allure of dichotomies, although they blatantly contradict the fuzzy nature of cognitive categories. Since prototypicality yields a great cognitive effect but demands only little processing effort, prototypes are particularly convenient in political speeches, where speakers must often get their message across to a wide and heterogeneous audience in a limited time span. Along these lines, the analysis of 32 presidential speeches from Franklin D. Roosevelt to George W. Bush brings to light how the prototypical enemy or national hero is established. This paper aims to show that political rhetoric does not merely reflect existing categorizations but also has the power to shape and perpetuate them in the minds of the target audience.

"This collection showcases the unique potential of stylistic approaches for better understanding the multifaceted nature of pop culture discourse. As its point of departure, the book takes the notion of pop culture as a phenomenon characterized by the interaction of linguistic signs with other modes such as imagery and music to examine a diverse range of genres through the lens of stylistics. Each section is grouped around thematic lines, looking at literary fiction, telecinematic discourse, music and lyrics, as well as cartoons and video games. The twelve chapters analyze different forms of media through five central strands of stylistics, from sociolinguistic, pragmatic, cognitive, multimodal, to corpus-based approaches. In drawing on these various stylistic frameworks and applying them across genres and modes, the contributions offer readers deeper insights into the role of scripted and performed language in social representation and identity construction, thereby highlighting the affordances of stylistics research in studying pop cultural texts. This volume is of particular interest to students and researchers in stylistics, linguistics, literary studies, media studies, and cultural studies"--

This collection showcases the unique potential of stylistic approaches for better understanding the multifaceted nature of pop culture discourse. As its point of departure, the book takes the notion of pop culture as a phenomenon characterized by the interaction of linguistic signs with other modes such as imagery and music to examine a diverse range of genres through the lens of stylistics. Each section is grouped around thematic lines, looking at literary fiction, telecinematic discourse, music and lyrics, as well as cartoons and video games. The12 chapters analyze different forms of media through five central strands of stylistics, from sociolinguistic, pragmatic, cognitive, multimodal, to corpus-based approaches. In drawing on these various stylistic frameworks and applying them across genres and modes, the contributions offer readers deeper insights into the role of scripted and performed language in social representation and identity construction, thereby highlighting the affordances of stylistics research in studying pop cultural texts. This volume is of particular interest to students and researchers in stylistics, linguistics, literary studies, media studies, and cultural studies.