Suchergebnisse

La tecnologia che amplifica la realtà come pure i mezzi tecnologici di acquisizione dei dati, stanno continuando ad avere uno svilup - po difficilmente controllabile o prevedibile. Progetti di un certo interesse, nascono, si sviluppano e muoiono talvolta senza produrre risultati significativi, ma costituendosi come fasi di un processo fluido e dinamico, sul quale vengono costruite nuove applicazioni software e sistemi hardware. Allo stesso tempo, il ruolo dell'accademia sembra venire spesso scavalcato da ciò che viene sviluppato dalla citizen science: ai ricercatori non sembra più spettare esclusivamente il compito della "scoperta", quanto piuttosto la crea - zione di protocolli scientificamente affidabili sulla base di tecnologie spesso utilizzate dalle diverse comunità di citizen scientists in maniera non conforme alle specifiche per le quali erano state progettate. Il contributo propone una riflessione su questi temi prendendo come spunto due sperimentazioni dall'alto contenuto innovativo che abbracciano varie fasi del processo definito con il termine rilievo. Esse riguardano infatti da un lato un sistema hw/sw di acquisizione dati, elaborazione e comunicazione sviluppato per dispositivi mobili ( Progetto Tango ) e una piattaforma mista ROV/UAV multi - sensore dotata di sistema LIDAR e fotocamera digitale per l'acquisizione di dati in luoghi non accessibili ( Progetto Heritagebot ). ; The technology that 'amplifies' the real world as well as the technological means of data capturing, are continuing to have a development difficult to control or predict. Projects of a certain interest are born, develop and die sometimes without producing significant results nevertheless becoming phases of a fluid and dynamic process, on which new software applications and hardware systems are built. At the same time, the role of the academy seems to be often overtaken by what is developed by the citizen science. Researchers no longer seem to exclusively explore the 'discovery' domain, but rather work at the setup of scientifically reliable protocols for technologies often used by different communities of citizens in a way that does not conform to the specifications for which they were originally designed. This paper focuses on these issues taking as its starting point two experiments with high innovative content that cover various stages of the process defined by the term Survey. They pertain on the one hand to a hw/sw system of data capturing, processing and communication developed for mobile devices (Tango Project) and on the other to a mixed ROV/UAV multisensor platform equipped with a LIDAR system and digital camera for data acquisition in inaccessible places (Heritagebot Project).

The 43rd UID conference, held in Genova, takes up the theme of 'Dialogues' as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with 'others', which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, "dialogue" as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title 'translated' into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.