Suchergebnisse

I focus in this paper on the way fiction produced after the 3.11 disasters has engaged with the daunting task of giving meaning to suffering and outliving a traumatic event. I argue that the present practice is based on an overarching literary convention that combines three main tropes. First, how questions over the responsibility in representing trauma appear reflected in the way characters relate to the traumatic event. Second, the articulation of elements of corruption of the body or mind as unavoidable reminders of the trauma. And third, the construction of victims and survivors as invisibilized and ostracized individuals. I show how post-3.11 literary production both follows and enhances a convention set to blame instituted socio-cultural dynamics for perpetuating the violence of the traumatic episode by failing to address survivors as a social responsibility. This piece will explore these themes in Yū Miri's Tokyo Ueno Station, Furukawa Hideo's Horses, Horses, in the End the Light Remains Pure, and Tawada Yōko's The Emissary. My ultimate goal is to explore how literary representations of trauma in 3.11 literature challenge hegemonic propositions that shape the cultural memory of the event. ; I focus in this paper on the way fiction produced after the 3.11 disasters has engaged with the daunting task of giving meaning to suffering and outliving a traumatic event. I argue that the present practice is based on an overarching literary convention that combines three main tropes. First, how questions over the responsibility in representing trauma appear reflected in the way characters relate to the traumatic event. Second, the articulation of elements of corruption of the body or mind as unavoidable reminders of the trauma. And third, the construction of victims and survivors as invisibilized and ostracized individuals. I show how post-3.11 literary production both follows and enhances a convention set to blame instituted socio-cultural dynamics for perpetuating the violence of the traumatic episode by failing ...

1. Introduction: When East is North and South - Jordi Serrano-Muñoz and Chiara Olivieri -- 2. Confronting "the Ends" of Area: Towards a Phenomenology of the Transpacific - Andrea Mendoza -- 3. Ocean Narratives: Fluxes of Commodities Asia-America in the Contemporary Age - Antonio Ortega Santos -- 4. Decolonial Notes on How to Do Research on International Migrations in the World-System - Gennaro Avallone and Yoan Molinero-Gerbeau -- 5. Worshipping Ancestors at the Margins: Indigenous Perceptions of Death in Mexico and Okinawa - Angélica Cabrera Torrecilla -- 6. "This Coronaviurs Shit is Real": Racism and the Decolonization of the Virus - Núria Canalda Moreno and Andrés Felipe Vargas Herreño -- 7. The Feminization of Extractive Violence: A Comparative Study from Colombia and Indonesia - Paulina Pavez and Raul Holz -- 8. China's Lost Connection to the Global South: A Fanonian Reading of Yu Dafu and the Colonized Status of May Fourth Literature in the Japanese Empire - Ashley Liu -- 9. The Vedette "China" on Havana's International Cabaret Stage - Rosanne Sia.

El taller tracta sobre la integració d'un gestor de continguts amb els dipòsits institucionals o sobre com oferir serveis 2.0 sense dependre d'infraestructures associades a cada un dels dipòsits. Des d'aquí es pretén abordar tota la problemàtica existent a l'hora d'afegir funcionalitats no inherents als propis dipòsits i com els gestors de continguts més avançats ens ofereixen una oportunitat per solucionar-lo. ; El taller trata sobre la integración de un gestor de contenidos con los depósitos institucionales o sobre como ofrecer servicios 2.0 sin depender de infraestructuras asociadas a cada uno de los depósitos. Desde aquí se pretende abordar toda la problemática existente a la hora de añadir funcionalidades no inherentes a los propios depósitos y cómo los gestores de contenidos más avanzados nos brindan una oportunidad para solucionarlo. ; The workshop deal with integrating a content management system with institutional repositories or on how to provide 2.0 services without relying on the infrastructure associated with each of the deposits. From here we intend to deal with all issues existing at the time to add features not inherent to the deposits and how the most advanced content management systems areise an opportunity to fix them.

Recolecta sorgeix sota els auspicis de la Fundación para la Ciencia y la Tecnología (FECYT) i la Red Bibliotecas Universitarias Española (REBIUN) amb l'objectiu d'impulsar i coordinar la creació d'una infraestructura a nivell nacional de dipòsits digitals interoperables segons estàndards internacionals i actuar com a agència nacional respecte a la infraestructura global de dipòsits digitals científics com a part integrant de l'Espai Europeu de Recerca. Es presentaran els resultats i balanç de la seva activitat 2009 en el marc del Conveni Rebiun / Fecyt 2008-2009. ; Recolecta surge bajo los auspicios de la Fundación para la Ciencia y la Tecnología (FECYT) y la Red Bibliotecas Universitarias Española (REBIUN) con el objetivo de impulsar y coordinar la creación de una infraestructura a nivel nacional de repositorios digitales interoperables según estándares internacionales y actuar como agencia nacional respecto a la infraestructura global de repositorios digitales científicos como parte integrante del Espacio Europeo de Investigación. Se presentarán los resultados y balance de su actividad 2009 en el marco del Convenio Rebiun/Fecyt 2008-2009. ; Recolecta arises under the auspices of the Foundation for Science and Technology (FECYT) and the Spanish Academic Libraries Network (REBIUN) with the aim of promoting and coordinating the creation of a national infrastructure of interoperable digital repositories according to international standards and to act as a national agency for the global infrastructure of scientific digital repositories as a part of the European Research Area. The results and a 2009 outcome evaluation in the framework of the cooperation agreement 2008-2009 between Rebiun and Fecyt are presented.