Making a Home for Film, Making Film a Home: The Nomadic Cinephilia of Ruun Nuur
In: Framework: the journal of cinema and media, Band 62, Heft 2, S. 201
ISSN: 1559-7989
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In: Framework: the journal of cinema and media, Band 62, Heft 2, S. 201
ISSN: 1559-7989
In: International journal of operations & production management, Band 16, Heft 8, S. 81-103
ISSN: 1758-6593
The performance of cellular manufacturing (CM) systems has been rigorously investigated during the last two decades. The findings from these studies need to be systematically tabulated, given that they span a wide range of systems and experimental conditions. Some of the findings have also not been in agreement with the prescriptive literature on group technology (GT). No such survey of research exists to date. Attempts to fill the void by providing a taxonomy that categorizes these studies into simulation‐based, analytical and empirical studies. Also discusses past work in the context of various experimental factors and conditions, such as system configurations assumed, setup and operation times, scheduling rules, lot sizes and performance measures used. Summarizes major findings from each stream of literature from the point of view of both researchers and practitioners.
In: Configurations of Film
In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema's futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema's public, a democratic body seemingly scattered about platforms and niches in a post-pandemic world, re-emerges as a political force. Accidental Archivism brings together programmatic statements and proposals to explore an artistic space between archiving and activism, a space where remnants of the past become the building blocks of new ways of making, showing, teaching and thinking cinema.