Suchergebnisse

The article is devoted to the main aspects of Roman Ingarden's aesthetic theory that concern contemporary art. Modern discussions on Ingarden's aesthetic axiology are dedicated, in particular, to the question of the possibility of using his theory to analyze contemporary art. In this article, the authors seek to demonstrate that the main ideas and categories of Roman Ingarden's aesthetic theory are adequate and suitable for analyzing not only classical art but also contemporary art. Ingarden's aesthetic theory is an open system (which is the general characteristic of phenomenology).

The paper examines the relationship between aesthetics and politics. In modern humanities, we can find few conceptions of this relationship. These conceptions are not only part of political philosophy or political theory, but also a methodological instrument for analyzing modern politics and aesthetics. They provide an opportunity to understand both the features of contemporary politics and the state of modern aesthetic theory in light of the significant changes that have affected both of these spheres. This article analyzes the main models of the relation between aesthetics and politics. We intend to explore the conception of an aesthetic representation by Frank Ankersmit, the conception of aesthetics as politics by Jacques Rancière, and the conception of the emancipation of society by Gianni Vattimo.